Saturday, December 31, 2011

Blue Angels Crossing the Golden Gate Bridge 5 Canvas Print / Canvas Art - Artist Wingsdomain Art ...

  • Museum Quality Canvas Print
  • Gallery Wrapped on 1.5" Stretcher Bars
  • Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
  • Available in a Variety of Sizes
  • Includes 30-Day Money Back Guarantee
This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Blue Angels Canvas Print, Blueangels Canvas Print, Fleet Week Canvas Print, San Francisco Fleet Week Canvas Print, San Francisco Canvas Print

Bambi (Two-Disc Diamond Edition)

  • BAMBI: DIAMOND EDITION (DVD MOVIE)
For the first time ever, the wonder, music and majesty of one of Walt Disney's greatest triumphs comes alive in glorious detail through the magic of Blu-rayTM high definition! Now Bambi, Walt Disney's beloved coming-of-age story, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and characters who will touch your heart-Bambi, the wide-eyed fawn, his playful pal Thumper, the loveable skunk Flower and wise Friend Owl. Plus, all-new immersive game and special features that reveal the extraordinary creative process behind the making of this timeless classic take you deeper into Bambi's world than ever before!It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation ! (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi h! imself is just a bit dull--such is the fate of an Everydeer--h! is rabbi t sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton

V-Neck Drawstring Jumpsuit - BLACK (S)

  • 100% viscose.
  • Dry clean only.
  • Imported.
  • SKU 186972
  • Style 308LP101M668
  • Model is 5'9" and is wearing a US size S.
A gripping drama that follows a young suicide bomber on her mission to wreak havoc in Times Square. It is not known who she represents or what she believes in, but she believes in her mission absolutely.Big-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche -- VOLCANO, WAG THE DOG), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stran! ded together on a deserted isle, Quinn and Robin quickly discover all the perils of paradise. As this mismatched pair find themselves facing danger at every turn, you're sure to find their misfortunes fueling one of Hollywood's most entertaining action-comedy hits in years!The African Queen meets Swept Away in this sometimes labored romantic comedy by director Ivan Reitman. Fortunately, he cast an old pro in Harrison Ford, as Quinn Harris, a South Seas charter pilot who must ferry New York fashion editor Robin Monroe (Anne Heche) from one island to another--a hop that falls flat when they fly into a mammoth storm that causes them to crash on a deserted island. The pair resent and resist each other, until they are forced to team up to escape from the island--and some modern pirates who want their heads. If that part of the story is unconvincing, you can always focus on the smoldering comic chemistry between Heche, who displays strong comic instincts, and the e! ver-reliable Ford. The script is just an excuse for these two ! flinty c haracters to strike increasingly romantic sparks off each other, which is always enjoyable to watch. --Marshall FineA chic day-to-night jumpsuit, this bebe style features waist-cinching drawstring, slits at sleeves to reveal a touch of skin, and deep V-neckline. Team it with layered bangles and high-shine pumps for an evening look. Center back to waist: 18". Rise: ". Inseam: 29". Leg opening: 10".

Friday, December 30, 2011

HDMI Cable 2M (6 Feet)

  • HDMI audio / video cables are ATC certifie
  • Provides the most reliable signal transfer for the purest picture.
  • Unlike most HDMI cables, Inspire Audio video cables use individual, shielded twisted pair wires for unsurpassed video signal.
Perfect for connecting your HDTV, DVD/Blu-Ray players, gaming systems, and other home theater/entertainment components.These HDMI cables are ATC (Authorized Testing Center) certified, meaning you can count on them to pass a high-definition signal up to 1080p.

Need an HDMI cable? Get reliable signal transfer for your HD video/audio without spending a fortune--complete with a lifetime warranty--with this six-foot HDMI cable from Inspiritech.

Inspi!  ritech HDMI Cable
Get reliable signal transfer for your HD video/audio without spending a fortune.
Inspiritech HDMI Cable
Six-foot length for nearby components.
Inspiritech HDMI Cable Connectors
24k gold-plated connectors.
Six-Foot Length

Perfect for connecting your HDTV, DVD/Blu-Ray players, gaming systems, and other home theater/entertainment components.

ATC Certified

These HDMI cables are ATC (Authorized Testing Center) certified, meaning you can count on! them to pass a high-definition signal up to 1080p.

Q! uality C onstruction

Unlike most HDMI cables, Inspire Audio video cables use individual, shielded, twisted pair wires for an unsurpassed video signal. Oxygen-free copper provides solid conductivity, and 24k gold-plated connectors won't corrode, for a longer lifetime.

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Get some added peace of mind with your great picture and sound.

What's in the Box
Six-Foot HDMI Cable

Thursday, December 29, 2011

Buzby Breakin' All The Rules Hermie and Friends

  • Join Hermie and friends in an interactive adventure based on the hit video, BUZBY the Misbehaving Bee. In five engaging activities, children help Lucy match flowers, load the Ferris wheel with the right type of bugs, add scores in the bowling alley, sort items from the Roach Coach, and spell words in Buzby's honeycomb. They'll also collect seeds for an art garden where they can color scene
The game is on and the rules are out as Jamie Foxx, Morris Chestnut, Jennifer Esposito and Gabrielle Union star in this outrageous comedy that rewrites the book of loveJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, The! Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposito, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 12/29/2009Jamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a ki! nder, gentler break-up. His cousin Evan (Morris Chestnut, T! he Broth ers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposito, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerJoin Hermie and friends in an interactive adventure based on the hit video, BUZBY the Misbehaving Bee. In five engaging activities, children help Lucy match flowers, load the Ferris wheel with the right type of bugs, add scores in the bowling alley, sort items from the Roach Coach, and spell words in Buzby's honeycomb. They'll also collect ! seeds for an art garden where they can color scene

Human Trafficking

  • HUMAN TRAFFICKING (DVD MOVIE)
Here's the hip, adrenaline-pumped comedy about one wild weekend in the lives of five young friends ... and how their latest raved-up adventure just might change their outlook before the next weekend arrives! For Jip, Lulu, Koop, Nina, and Moff, workdays are merely the dreary downtime between frenetic 48-hour binges of clubbing, pubbing, and partying without rules or limits! But when these friends spend a wild weekend in search of some meaning and real connections, they'll see things in ways they've never imagined! Fast, funny, and excitingly original -- discover for yourself this widely acclaimed hit!Human Traffic wants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, w! ith the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret FetzerStudio: Lions Gate Home Ent. Release D! ate: 05/17/2011 Run time: 84 minutes Rating: RHuman Traff! ic w ants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, with the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A ! brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret FetzerNominated for Two Golden Globes® - Best Actress and Best Actor in a TV Miniseries; Lifetime Television's most-watched miniseries of 2005. Featuring Emmy® and Golden Globe® Award winner Donald Sutherland (The Italian Job), Academy Award® and Golden Globe® Award winner Mira Sorvino (Mighty Aphrodite) and Trainspotting's Robert Carlyle, Human Trafficking is at once a gripping thriller, a cautionary tale, and one of the most fundamentally important stories of our time. DVD Features include: Interviews with Mira Sorvino and Robert Carlyle, Behind the Scenes with the cast and crew, and A "Take Action" Guide to shop human trafficking now! The Lifetime cable channel made TV history with this ambitious, acclaimed original miniseries on the horrifying phenomenon of human traffi! cking, or sexual slavery. It follows the fictional cases of yo! ung wome n around the world, lured or abducted, sometimes right off the street, into a world of unspeakable brutality--which the filmmakers show in almost overwhelming detail at times. Mira Sorvino and Donald Sutherland star as American government officials bent on exposing and stopping the phenomenon, and both are more than serviceable in their roles. But the revelation is Robert Carlyle, the Scottish star of The Full Monty and Trainspotting, who here is transformed into a ruthless criminal mastermind behind his own trafficking network. Even his Eastern European accent is spot-on and blood-chilling. The supporting cast of women and girls is strong, and in some cases, truly heartbreaking. And while sometimes almost unbearably harsh, the film serves as a reminder this terrible situation still exists and thrives; and told through the characters, is also a well-paced thriller. --A.T. Hurley

Brother CS6000i Sew Advance Sew Affordable 60-Stitch Computerized Free-Arm Sewing Machine

  • Free-arm computerized sewing machine; with 60 stitch functions, 7 styles of 1-step buttonholes, and variety of snap-on presser feet
  • Computerized stitch selection on LCD screen; with auto threading, tension control dial, and auto-set drop-in bobbin
  • 110-volt machine operated with either foot pedal or 1-touch button for start, stop, and reverse stitching; dual LED light
  • Accessories include wide table accessory for quilting and more; hard cover case protects in storage
  • Machine measures 9-3/4 inches wide by 9-3/5 inches deep by 12-1/2 inches high; limited 25-year warranty
This light weight computerized sewing machine is heavy on the features that you are looking for! The CS-6000i has 60 built in stitches including, utility, decorative, heirloom, quilting and 7 styles of one step auto-sizing buttonholes. Whether you sew for crafting, garment, home decoration, or qu! ilting; this machine has it all for you at an affordable price! The CS-6000i also includes a plastic fitted wide table to support your larger projects such as quilts.

"I Love You Bigger Than The Sky" Wood'n Sign Black

  • Distressed for an old look
  • Handcrafted by us
A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented but immature actor who is forced to grow up when he finds he has a new rival...in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke (The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real life begins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learn - not how to act, but how to live.A "charismatic" (The Atlanta Journal-Constitution) John Corbett ("Sex and the City") stars as a talented bu! t immature actor who is forced to grow up when he finds he has a new rival in romance. Amy Smart (Varsity Blues), Sean Astin (the Lord of the Rings trilogy) and Patty Duke(The Miracle Worker) co-star in this feel-good story of self-discovery. Mike (Corbett) only wants to perform in great productions. So when a clueless amateur (Marcus Thomas) is given the lead in Cyrano de Bergerac, Mike decides he must personally train him. But when real lifebegins to mimic the play's love triangle and his protégé falls for the girl Mike loves but can't commit to (Smart), suddenly it's Mike's turn to learnnot how to act, but how to live!Tell your special little person how much you love them in a sweet way they can relate to. A "tuck-in time" essential!This sign is made from pine, and measures 3.5"H x 25"W. It reads "I Love You BIGGER Than The Sky". The front is painted Black, sanded then distressed. Routered back for hanging

Sunday, December 25, 2011

True Believer

  • ISBN13: 9780446618151
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Jeremy Marsh is a born skeptic and a science journalist who specializes in debunking the supernatural. When he hears about ghostly apparitions in a cemetery in Boone Creek, North Carolina, he leaves his beloved New York City for this small, rural town-and what his instincts tell him could make a great story. What he doesn't plan on is meeting and falling hopelessly in love with Lexie Darnell, who is sure of one thing: her future is here in Boone Creek, close to the people she loves. Now, if the young lovers are to be together, Jeremy must make a difficult choice: return to the life he knows in New York, or do something he could never do before... take a giant leap of faith.

Friday, December 16, 2011

Fierce People

  • Actors: Diane Lane, Donald Sutherland, Anton Yelchin, Chris Evans, Kristen Stewart.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English. Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated: R. Run Time: 107 minutes.
FIERCE PEOPLE - DVD MovieTaking F. Scott Fitzgerald's adage "The very rich are different from you and me" as his guide, actor-director Griffin Dunne (Practical Magic) paints a poisonous portrait of privilege. When coke-addicted masseuse Liz Earl (Diane Lane) hits rock bottom, she calls in a favor with an affluent client. In exchange for her services, Ogden Osborne (Donald Sutherland in a sly performance) welcomes Liz and her 16-year-old son, Finn (Anton Yelchin), to his East Coast estate. Liz stops drinking and drugging, while Finn bonds with Ogden's grandchildren, Bryce (C! hris Evans) and Maya (Kristen Stewart). Though his mother starts dating Ogden's physician, Finn remains convinced her services extend beyond the therapeutic. Nonetheless, he grows fond of the sensitive, if controlling billionaire. Finn's own father, an anthropologist, deserted him years ago to study the Ishkanani, i.e. "the fierce people," of South America. When Finn is attacked by a masked figure, his warm feelings towards the Osbornes turn cold. At this point, the film takes a disappointingly conventional turn as Finn tries to determine who abused him--and to initiate some payback. If the basic premise never quite rings true, the director, son of bestselling author Dominick Dunne, carries on family tradition in trying to understand what makes people like Ogden tick (Dirk Wittenborn adapted the screenplay from his novel). Dunne's sympathies may lie with Liz and Finn, but obvious advantages aside, Ogden runs away with the show. He may indeed be "different," but he's also th! e most fully rounded character in the entire muddled exercise.! --Ka thleen C. Fennessy

Wednesday, December 14, 2011

GTMax Black Rapid Retractable Car Charger for Verizon Samsung Fascinate Galaxy S CDMA Cellphone

  • Charge your cell phone when you're on the road. Car charger plugs into your car's cigarette lighter and charges your phone while you're driving.
  • Use the time you spend in your car to make sure that your phone is ready to go.
  • The innovative retractable design with quick release button cuts down on travel bulk and ensures the portability of your cell phone without sacrificing functionality. No more tangled cable mess.
  • Intelligent IC chip recognizes a fully charged battery and automatically switches to saver mode to prevent overcharging and short circuit.
  • Fits any devices that uses a Micro-USB Port.
Wynton is back with Christmas Jazz Jam, his first holiday album in 20 years. Wynton is joined by his septet for his 78th recording as they breathe new life into Christmas classics. Rooted in the spirit of New Orleans and the gospel church, these new arrangements of ho! liday standards are drenched with down-home soul and joyous swing. Christmas Jazz Jam brings the American art of jazz improvisation to traditional songs loved worldwide. It provides a great opportunity to discover and enjoy contemporary jazz.Charge your cell phone when you're on the road. Car charger plugs into your car's cigarette lighter and charges your phone while you're driving. Use the time you spend in your car to make sure that your phone is ready to go. The innovative retractable design with quick release button cuts down on travel bulk and ensures the portability of your cell phone without sacrificing functionality. No more tangled cable mess. Intelligent IC chip recognizes a fully charged battery and automatically switches to saver mode to prevent overcharging and short circuit. Fits any devices that uses a Micro-USB Port.

Four Minutes

  • For over sixty years, aged pianist Traude Kr ger has been teaching piano at the women's prison. But she's never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate
For over sixty years, aged pianist Traude Krüger has been teaching piano at the women s prison. But she s never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate in despite her prison sentence. However, a contest is no challenge to someone who wants life to stand still.Four Mi! nutes recalls the lineage of films dedicated to marginalized characters who find solace in piano playing, such as Jane Campion’s The Piano, yet there is more to this drama than the story of a woman yearning for autonomy. Jenny (Hannah Herzsprung), a prisoner described as the type to "steal a smoke from a corpse" by another inmate, is wasting away in a German penitentiary until she is recruited by piano teacher, Traude Krüger (Monica Bleibtrau), to train for a contest coming up. Krüger, who sees Jenny’s fingers keying organ music on her church pew in Sunday mass, realizes Jenny’s innate talent and slowly heals her student through music as well as through conversations revealing their mutually difficult pasts. While Jenny’s violent outbursts continuously disrupt her piano privileges, Traude heroically defends Jenny in meetings with the hard-edged warden, Mr. Meyerbeer (Stefan Kurt). The crux of the story lies in the friendship forged between these women t! hrough Traude’s determination to heal her young prodigy. Thr! ough fla shback, the viewer learns what male violence was inflicted upon each lady. Four Minutes, subtitled from German, is a bit humorless, and one doesn’t glimpse even a slight smile on any character’s face until fifty minutes of film have rolled. Jenny’s outbursts at the piano as well, such as when she plays handcuffed to defy Meyerbeer, are overwrought. Still, the lack of sentimentality inherent to each character lends a wry realism to the intelligent script, such as when Ms. Krüger tells Jenny to stop playing "negro music," exposing her antiquated, uptight musical taste. Four Minutes succeeds at illustrating a relationship in which two women cut from different cloth share commonalities that assume a female essence, though at their core they crave a universal desire for freedom. --Trinie Dalton

House on Haunted Hill

  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Widescreen; NTSC
When an eccentric millionaire offer a group of opposites $1,000,000 to spend the night in a so called "Haunted House" with a murderous past, they figure it is a quick way to get quick money and leave. All of them are sure it is some made up story just to mess with their heads a little and test their courage. But, once they stay in the house they start to think about the mistake they made in coming there when mysterious things start to happen.House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients! murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter, and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more! suggestive stuff that came before. But that's just the very e! nd; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer

Sunday, December 11, 2011

The Sword in the Stone (Disney Gold Classic Collection)

  • SWORD IN THE STONE, THE GOLD COLLECTION (DVD MOVIE)
The Boys: The Sherman Brothers’ Story is an intimate journey through the lives of Robert B. Sherman and Richard M. Sherman, the astoundingly prolific, Academy Award®-winning songwriting team that defined family musical entertainment for five decades with unforgettable songs like “Supercalifragilisticexpialidocous” from Mary Poppins, “I Wanna Be Like You” from The Jungle Book and the most translated song ever written "It’s a Small World (After All)" from the Disneyland attraction.  The feature-length documentary, conceived, produced and directed by two of the songwriters’ sons, take audiences behind the scenes of the Hollywood magic factory and offers a rate glimpse of a unique creative process at work.  It also explores a deep and longstanding rift that has kept the brothers personally estranged throughout much of their unpa! ralleled professional partnershipWhat songwriters' tunes have been covered by John Coltrane, Annette Funicello, Ringo Starr, Julie Andrews, Dick Van Dyke, Louis Prima, and Pink Floyd's David Gilmour, among others? Consider yourself an expert if your answer is Robert and Richard Sherman, whose long, fruitful, and often contentious partnership is chronicled in The Boys: The Sherman Brothers' Story. The fact that this documentary by directors Jeff and Gregory Sherman (sons of Robert and Richard, respectively) was released under the imprimatur of the Walt Disney Company, for whom "the Boys" did their most renowned work, is an indication that this isn't exactly a hard-hitting exposé; although the estrangement between Bob and Dick, as they were known, isn't ignored ("We perpetrated a façade for 50 years," says one), far more attention is given to the music. That's precisely as it should be. Talking heads like Van Dyke, Andrews, Randy Newman, Ben Stiller, and Hayley Mills! help tell the tale of lyricist Bob and composer Dick, who wer! e themse lves the sons of a successful songwriter, Al Sherman. They began writing together in the early '50s, scored a hit with Funicello's "Tall Paul" late in that decade (Annette is also seen here singing "Monkey's Uncle," backed by none other than the Beach Boys), and soon became staff writers for Walt Disney. Major successes followed, including an Oscar-winning score for Mary Poppins and songs for The Jungle Book, The Many Adventures of Winnie the Pooh, and others; they also wrote pop hits like "You're Sixteen" (a hit for Ringo in the '70s), and can take credit (or blame, depending on one's point of view) for "It's a Small World," one of the planet's most ubiquitous songs. The documentary has its flaws--it's overlong at 102 minutes, and the brothers' eventual estrangement, which continues to this day, is attributed to their opposite personalities (Bob, who served in World War II, is quieter and more dour than his volatile younger brother) but not really expla! ined. Still, the music, and there's lots of it, is very well handled, especially in a terrific bonus feature called "Sherman Brothers Jukebox," which details the creation of several Sherman classics. --Sam Graham2009 two CD collection of Disney classics penned by brothers Richard M. and Robert B. Sherman The Sherman brothers were hired by Walt Disney himself as his first and only staff songwriters. Their music has been an important part of motion pictures, theme park attractions, television productions, vinyl records, CDs, and Broadway shows, entertaining millions of people all over the world. Presented here are 59 songs highlighting the Sherman brothers' incredibly prolific Disney years from Annette's 1959 hit 'Tall Paul' to their work from The Tigger Movie in 2000. Newly restored with the latest digital technology, this collection features not only their landmark hits from Mary Poppins, Winnie the Pooh, The Jungle Book and 'It's A Small World,' but a number of the! ir other classics, many available for the first time on CD.At ! the heig ht of Beatlemania, the Disney folks were teaching kids how to really swing with this soundtrack to their adaptation of Rudyard Kipling's The Jungle Book. Of course, it's Phil Harris (the voice of everyone's favorite hipster bear Baloo) who steals the show with the original slacker anthem, "The Bare Necessities," but his scat match with an inspired Louis Prima on "I Wan'na Be Like You (The Monkey Song)" is also not to be missed. Songwriters Richard and Robert Sherman--who clearly enjoyed playing the irony card on songs like "Trust in Me (The Python's Song)" and "That's What Friends Are For" (The Vulture Song)"--offer entertaining reminiscences about the project in a 12-minute bonus track. George Bruns's wonderful underscore, a couple early song demos, and two post-soundtrack Baloo numbers round out a collection that suggests, in the most charming way imaginable, that it really is a jungle out there. --Bill FormanThey built their home on the timeless mountain tha! t bears their name. They built their lives on even stronger stuff: the bedrock of family. This 5-disc set features all 24 Year-One episodes of the beloved series that ran 9 years and won 5 Emmy Awards its inaugural year, including Outstanding Drama Series. Richard Thomas plays the key role of John-Boy Walton, a youth on the verge of manhood during the Great Depression and a fledgling writer whose observations are filled with the growing-up lessons and love he receives from father John, mother Olivia, Grandma, Grandpa and all the rest of The Waltons.The Waltons' nearly 10-year run on network television grew out of the popular, 1971 made-for-TV movie The Homecoming, which was derived from a Depression-era, rustic setting ("Walton's Mountain"), and characters based on Earl Hamner Jr.'s autobiographical novel Spencer's Mountain--itself the source for a very nice 1963 feature film starring Henry Fonda and Maureen O'Hara. That's a lot of entertainment sprout! ing from Hamner's prose. But something about his seminal story! of fami ly values, rugged independence, and big dreams amidst a hardscrabble existence captured the hearts of American audiences, many of whom personally recalled severe economic adversity in the 1930s.

The Waltons: The Complete First Season collects those initial episodes from the series building on the strengths of the Homecoming pilot, which introduced the extended Walton clan led by a strong-willed mill owner, John (Andrew Duggan), and his equally resolute wife, Olivia (Patricia Neal). The Waltons recast those key roles (as well as a few others) with Ralph Waite and Michael Learned (yup, a female), but Richard Thomas carried over as oldest child John-Boy Walton, an aspiring writer whose cusp-of-manhood view informs the series. Will Geer (Seconds) replaced Edgar Bergen as Grandpa Walton, Ellen Corby remained as Grandma, and John and Olivia's large brood (seven kids in all) were filled out by largely unknown, young actors. The episodes, still delig! htful and touching, strong on production values and unusually tight and polished for primetime drama, tended to focus on creator Hamner's pet themes of self-sacrifice and heroic effort when the going got tough.

Year 1 highlights include "The Carnival," in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton after the clergyman makes a fool of himself with moonshine. That's Hamner himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine stat! e. --Tom KeoghDazzling color and brilliant animation br! ing the medieval legend of King Arthur to life in THE SWORD IN THE STONE. With a forest full of charm, spectacle, and wizardry, Disney's classic tale conjures up delightful entertainment for all ages! England is in the midst of a dark age and without a proper king, Young "Wart," an orphan and squire-in-training, is content with kitchen duties in his foster home -- until he drops in on the extraordinary wizard Merlin and his articulate owl, Archimedes. Through three life lessons, Wart learns to set his "sights on the heights," armed with the most powerful forces on earth -- intellect, wisdom, and love. When it's time to contest who will be king, Wart must use his newfound knowledge to do what no mighty knight has done before! Join in all the magical marvels that make THE SWORD IN THE STONE a classic animated film and pure Disney gold!Based upon T.H. White's beloved novel, this Disney-fied version chronicles the tutoring of the Once and Future King, Arthur, as handled by the magician ! Merlin. Sword was a portent of things to come, with slapstick upbraiding storytelling, and cultural in-jokes substituting for wonder. But there's much to enjoy here as Merlin shows Newt, the young Arthur, things that will help him become the ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird, and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with the mean old Madame Mim still is worth a few chuckles, but it belies the problem with most of the film--the scenes are only there for the chuckles. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Children will like it, but they won't cherish it. --Keith Simanton

The Fight: Lights Out

  • Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down anyone that stands between you and your shot at becoming the toughest fighter out there
  • Unleash a wide arsenal of brutal attacks. Start simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head
  • In addition, assault of other dirty fighting techniques using two PlayStation Move motion controllers at once, together with the PlayStation Eye camera
  • Feel the action by using the PlayStation Move motion controller as you step into the game and command your fighter?s every movement with lifelike 1:1 motion for deadly precision
  • 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character
Small-town boy Shawn M! acArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Ha! rvey asks Shawn to take a dive. The plot sounds like a thousan! d boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (wh! ose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides! that he has something worth fighting for and puts everything ! on the l ine to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene w! here Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Grab your PlayStation Move motion controllers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. The power to climb to the top of the underground scene is in your hands. The only rule is that there are no rules - you decide how to take down your next challenger. Get them in a headlock and throw elbows to the skull, or go ballistic by swinging with all-out haymakers. Use the PlayStation Move motion controllers to dominate opponents with accurately tracked strikes. Do you have what it takes to rule the underground?
The most realistic motion controlled fighting game released to date, The Fight: Lights Out for PlayStation 3 challenges! players to conquer the brutal world of illegal underground fighting utilizing the PlayStation Move motion controller and the PlayStation Eye camera peripheral (both sold separately)*. Together these two seamlessly translate the player's realistic physical actions to those of the character on the screen, allowing the players to fight however they choose. Keep it clean with standard jabs and punches, or fight dirty with headbutts, headlocks and more. The choice is yours as you take on 12 fighting venues filled with thugs and bosses and eventually take the fight online to unleash the skills you've learned against live virtual opponents.

The Fight: Lights Out game logo
Fight the Way You Want! with PlayStation Move
Grab your PlayStation Move con! trollers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. A launch title for the PlayStation Move motion controller, The Fight: Lights Out is a one-on-one fighting game featuring single player and multiplayer play options. Players utilize two Move motion controllers, one for each hand, to accurately track your rapid blows while the PlayStation Eye tracks your head as you duck, evade, outmaneuver and knockout anyone that has the guts to throw down with you. The precision and versatility of the controller/peripheral combo allows you to decide how you want to take down your next challenger. Get them in a headlock and throw elbow drops to the skull, or go ballistic by throwing nonstop haymakers. Fight clean or fight dirty, it’s entirely up to you because there are no rules.

Connecting with a right cross in The!   Fight: Lights Out
Use realistic fighting motions only possible with the PlayStation Move motion controller to become the ultimate street brawler.
View larger.
Gameplay
The Fight: Lights Out features both a local single player career mode and multiplayer, as well as online multiplayer. In career mode players assume the role of an up-and-coming brawler looking to make it in the world of illegal, underground street fighting. Players can customize their character with a preset range of body types and attire, as they prepare themselves to fight their way through the game's 12 venues using the precise and varied capabilities of the PlayStation Move motion controller. Each venue is popul! ated with a variety of opponents that will need to be defeated! , with t he final clash in each fought against a boss. Bosses are different from the lower level fighters that proceed them in that they have particular skills and/or styles that the player will not have encountered in earlier opponents. Once bosses are defeated by the player these styles are incorporated into the player's repertoire, making these skills usable against later fighters in career mode and invaluable as you eventually face live online opponents via PlayStation Network.

Key Game Features

  • Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down all opponents that stand between you and your shot at becoming the toughest fighter out there
  • Feel the action by using two PlayStation Move motion controllers and the PlayStation Eye peripheral as you step into the game and command your fighter’s every movement with lifelike 1:1 motion for deadly precision
  • Unleash a wide arsenal of fighting comb! os, starting simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head and an assault of other dirty fighting techniques
  • Fighter customizable options including physical appearance and attire
  • 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character
  • Online functionality that allows the player to utilize skills acquired during the single player campaign
Snapping back an opponent's head with a jab in The Fight: Lights Out
1:1 motio! n contro l.
View larger.
Setting up a combo in an alley brawl in The Fight: Lights Out
Fight clean or dirty.
View larger.
Drawing blood against a thug using knuckle wraps in The Fight: Lights Out
Single & multiplayer sup! port.
View larger.
Fighting in a gym environment in The Fight: Lights Out
12 varied fighting venues.
View larger.

*Two PlayStation Move motion controllers and a PlayStation Eye camera required for play.

Saturday, December 10, 2011

PaperMate Pink Pearl Premium Medium Rubber Eraser, 3-Count (70502PP)

  • Premium rubber eraser
  • Removes pencil mistakes without smearing, staining or abrading
  • Soft beveled shape
  • Color: PINK
  • Brand: Sanford
  • Soft and pliable, self-cleaning and gentle on paper
Paper Mate Pink Pearl Eraser

Monday, December 5, 2011

Werewolf: The Forsaken

  • ISBN13: 9781588463241
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
It's been four months since Alex gave everything to save Jessica. Life should be perfect; she has Alex, she's been freed of the nightmares, and most of all- she's alive. But some things have changed, some things haven't. That's the problem. Alex still hasn't asked "the question". Jessica can't see the reason why and it's tearing her apart. He's keeping something from her. Alex isn't the only one who has changed though. Something is different about Jessica but she doesn't understand what's happened. She just knows something's wrong, that she feels different than she used to, on a skin deep level. And it may keep her and Alex apart. Forever. But while Alex and Jessica struggle to stay together, Cole is n! ot about to be forgotten. There are a few things he didn't tell Jessica, about his past and her future. There are reasons why he came after her, reasons that are tied to his history that is darker than she could have ever realized.**Forsaken By Shadow is also included in the omnibus Genesis, along with Devil's Eye and Blindsight. Buy all three and save!**

A Novella of the Mirus (1.1):

Cade Shepherd is on top of the world as this year’s Ultimate Fighting Champion. He doesn’t even remember his life as Gage Dempsey, a Shadow Walker with the ability to magically transport himself from shadow to shadow. In fact, he can’t remember anything before waking up in a cheap motel room ten years ago with mysterious burns on his handsâ€"not even the woman he almost died for.

Embry Hollister has picked up the pieces of her life, learned to control her ability to generate flame, and now works an enforcer for the Council of Races. But when her father is! captured by the human military and the Council refuses mount ! a rescue mission, Embry has no choice but to go rogue. All she has to do is find the man with the new name and new life who was completely wronged by her people, give him back the memories they stole, convince him to join her on what’s probably a suicide mission, and hope that after ten years of living as a regular guy he still remembers what her father taught him.

And after that, she just has to leave him. Again.

EXCERPT:

“Do you have any idea how many rules Adan violated with you? Bringing a human into our world?” The demand came from the Walker on the left. His dark face was barely differentiated from the shadows in which he stood. The outlines of his broad body were still blurred.

“I know he gave me my life.” Gage edged backward, trying to push Embry into a corner.

“A mistake we intend to rectify before it destroys him,” said the wraith.

“No!” The heat behind him was instant, scorching.

Gage turned toward her, shouting, “Embry, no!” But the fireballs were already flying from her hands toward the two flanking Walkers. They phased out even as Matthias dove forward and caught Gage around the waist.

Matthias was the bigger man, but Gage was younger, faster. He twisted and threw the Walker into a wall, already scrambling toward Embry.

She was a living flame, more than ever the child of her fire elemental mother. Heat and light pulsed off her in waves, expanding, beating in a terrifying rhythm as the nimbus grew and grew.

If she went nova, she’d kill them all.

Gage dove into the light, feeling no burn, no pain, just desperation to save her. If he could drag her out of the light and into the shadows, he could get her away to safety. Drawing on the darkness, he reached out for her. “You have to shut it off!”

“No, you don’t understâ€"”

His hands closed around her arms. For a heartbe! at everything stilled. Then, agony ripped through him, an insa! tiable i nferno of pain as everything she was projecting shot into his body and ripped him apart.
***
Looking for fabulous and inventive YA? Try Susan Bischoff!**Forsaken By Shadow is also included in the omnibus Genesis, along with Devil's Eye and Blindsight. Buy all three and save!**

A Novella of the Mirus (1.1):

Cade Shepherd is on top of the world as this year’s Ultimate Fighting Champion. He doesn’t even remember his life as Gage Dempsey, a Shadow Walker with the ability to magically transport himself from shadow to shadow. In fact, he can’t remember anything before waking up in a cheap motel room ten years ago with mysterious burns on his handsâ€"not even the woman he almost died for.

Embry Hollister has picked up the pieces of her life, learned to control her ability to generate flame, and now works an enforcer for the Council of Races. But when her father is captured by the human military and the Council refuses mount a rescue mission, Emb! ry has no choice but to go rogue. All she has to do is find the man with the new name and new life who was completely wronged by her people, give him back the memories they stole, convince him to join her on what’s probably a suicide mission, and hope that after ten years of living as a regular guy he still remembers what her father taught him.

And after that, she just has to leave him. Again.

EXCERPT:

“Do you have any idea how many rules Adan violated with you? Bringing a human into our world?” The demand came from the Walker on the left. His dark face was barely differentiated from the shadows in which he stood. The outlines of his broad body were still blurred.

“I know he gave me my life.” Gage edged backward, trying to push Embry into a corner.

“A mistake we intend to rectify before it destroys him,” said the wraith.

“No!” The heat behind him was instant, scorching.

Gage turned toward her, shouting, “E! mbry, no!” But the fireballs were already flying from her ha! nds towa rd the two flanking Walkers. They phased out even as Matthias dove forward and caught Gage around the waist.

Matthias was the bigger man, but Gage was younger, faster. He twisted and threw the Walker into a wall, already scrambling toward Embry.

She was a living flame, more than ever the child of her fire elemental mother. Heat and light pulsed off her in waves, expanding, beating in a terrifying rhythm as the nimbus grew and grew.

If she went nova, she’d kill them all.

Gage dove into the light, feeling no burn, no pain, just desperation to save her. If he could drag her out of the light and into the shadows, he could get her away to safety. Drawing on the darkness, he reached out for her. “You have to shut it off!”

“No, you don’t understâ€"”

His hands closed around her arms. For a heartbeat everything stilled. Then, agony ripped through him, an insatiable inferno of pain as everything she was projecting shot into his bod! y and ripped him apart.
***
Looking for fabulous and inventive YA? Try Susan Bischoff!A DEMON hires the assassin to kill an Angel from a rival gang. It’s not the first time the hit man’s had an employer from Hell, so he checks the fine print before setting bloody quill to parchment. Just one stipulation: he’ll have to make it quick if he wants to avoid the End of the World. Powerful forces battle for mastery over the coming darkness. The Forsaken returns us to the World of Change fifty years after the events described in When Graveyards Yawn. The Apocalypse Trilogy continues in this epic blend of horror, mystery and humor conjured from the glory days of pulp fiction.A DEMON hires the assassin to kill an Angel from a rival gang. It’s not the first time the hit man’s had an employer from Hell, so he checks the fine print before setting bloody quill to parchment. Just one stipulation: he’ll have to make it quick if he wants to avoid the End of the World. Powe! rful forces battle for mastery over the coming darkness. The F! orsaken returns us to the World of Change fifty years after the events described in When Graveyards Yawn. The Apocalypse Trilogy continues in this epic blend of horror, mystery and humor conjured from the glory days of pulp fiction.This autumn, curl up with a dark debut novel that early readers are calling "Beautifully written" -- "A 'Must Read'" -- "Super creepy" -- "Amazing!"

For art professor Daniel Rineheart, life's a dream. His children's laughter fills the halls of his home, and his wife's embrace lulls him to sleep. But summer's end heralds the arrival of three disturbing omens. A lost bird, thousands of miles from home. A beautiful student with whom he shares an insidious past.

...and a mysterious painting, dripping with malignant secrets.

It wasn't the strangest creation he'd ever seen, but close. A girl with a wounded, sack-like face; a boy with pinhole eyes and a cruel sneer; and a distant shadow peering out from behind a dying tr! ee, all stared back at him from that perfect painted canvas.

Yet it wasn't only the subjects that challenged him, but the riddle that came with it.

"Here in Art, Denial."

Four words shrouding a secret that awakens a surreal nightmare. Where objects from his past manifest in canvas and oil. Where painted clocks tick-tock away in the dark hours before dawn, and a missing dog whimpers from between the walls. Where the painted children leave the canvas to stalk the halls of his once quiet and happy home.

And where all answers lead back to a blind artist and an impossible creation, one that threatens to destroy his family and devour his sanity.

Fans of Stephen King, Clive Barker, and Peter Straub will find this debut novel written for them.  FORSAKEN is a throwback to the haunted tales that seep beneath the skin and slowly come to a boil, sticking with the reader long after the cover is closed and the story is! over.

It's a dark descent from a happy home next ! door int o a world of painted madness that blends the line between the psychological and the supernatural, where the blind see far beyond the living veil, and where an artist's creation births an evil from the cold Nether beyond.

This autumn, take a journey into the surreal with FORSAKEN.This autumn, curl up with a dark debut novel that early readers are calling "Beautifully written" -- "A 'Must Read'" -- "Super creepy" -- "Amazing!"

For art professor Daniel Rineheart, life's a dream. His children's laughter fills the halls of his home, and his wife's embrace lulls him to sleep. But summer's end heralds the arrival of three disturbing omens. A lost bird, thousands of miles from home. A beautiful student with whom he shares an insidious past.

...and a mysterious painting, dripping with malignant secrets.

It wasn't the strangest creation he'd ever seen, but close. A girl with a wounded, sack-like face; a boy with pinhole eyes and a cruel sneer; ! and a distant shadow peering out from behind a dying tree, all stared back at him from that perfect painted canvas.

Yet it wasn't only the subjects that challenged him, but the riddle that came with it.

"Here in Art, Denial."

Four words shrouding a secret that awakens a surreal nightmare. Where objects from his past manifest in canvas and oil. Where painted clocks tick-tock away in the dark hours before dawn, and a missing dog whimpers from between the walls. Where the painted children leave the canvas to stalk the halls of his once quiet and happy home.

And where all answers lead back to a blind artist and an impossible creation, one that threatens to destroy his family and devour his sanity.

Fans of Stephen King, Clive Barker, and Peter Straub will find this debut novel written for them.  FORSAKEN is a throwback to the haunted tales that seep beneath the skin and slowly come to a boil, sticking with the reader long after t! he cover is closed and the story is over.

It's a dark ! descent from a happy home next door into a world of painted madness that blends the line between the psychological and the supernatural, where the blind see far beyond the living veil, and where an artist's creation births an evil from the cold Nether beyond.

This autumn, take a journey into the surreal with FORSAKEN.The City of San Francisco is locked in a grip of fear. A series of occult murders has led, Inspector Thomas James, to a crime scene similar to a murder committed 90 years ago in the once grand Aleris Hotel. A place where power barons of the early 20th Century engaged in witchcraft. And silent film stars indulged in the most wicked of sins.

A place where no one questions the black smoke that rises from the hotel's incinerators in the middle of the night.The City of San Francisco is locked in a grip of fear. A series of occult murders has led, Inspector Thomas James, to a crime scene similar to a murder committed 90 years ago in the once grand Aleris Hot! el. A place where power barons of the early 20th Century engaged in witchcraft. And silent film stars indulged in the most wicked of sins.

A place where no one questions the black smoke that rises from the hotel's incinerators in the middle of the night.Corvinus Black is dying. His daughter Nisha is desperate to save him, but how far is she willing to go? She must risk everything to steal a powerful talisman that could stop the curse, but only if she finds it in time. A short story of just over 3,400 words, Forsaken is set in the world of the novel 'The Guardian's Apprentice.'Corvinus Black is dying. His daughter Nisha is desperate to save him, but how far is she willing to go? She must risk everything to steal a powerful talisman that could stop the curse, but only if she finds it in time. A short story of just over 3,400 words, Forsaken is set in the world of the novel 'The Guardian's Apprentice.'Full Moon Rising

The world is in shadow. To one side stret! ches the forest, to the other the city. Your claws are stained! with bl ood. Your senses whisper of prey that runs before you, and of predators who stalk even the likes of you. You hear the howls of your brothers and sisters. Luna rises. Your blood boils. It is time to hunt.

Wolves at the Door

Werewolf: The Forsaken - the game of bestial violence and supernatural terror - is the second core setting sourcebook intended for use with White Wolf's new Storytelling System . Werewolves are creatures of original sin, tainted by ancestral crimes and driven to hunt by the shame of being abandoned. This book details what it is to be Forsaken, one of the Tribes of the Moon. Create your own werewolf pack and seek redemption or give in to your savage nature. Hardcover. For use with the World of Darkness Rulebook.

Sunday, December 4, 2011

A Bug's Life (Two-Disc Collector's Edition)

  • Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co
In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew! so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Chr! istopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Ja! ne Curti n, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerBook Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with! the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.A funny children's (& adult) cartoon movie.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her! royal bearing and court training, but she can learn. Gene Hac! kman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnel! s is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other! voices include Anne Bancroft as the Queen, Christopher Walken! , Jennif er Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerJourney inside the world of bugs in this epic of miniature proportions. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted in this ingenious film. Loaded with bonus features â€" including animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR! 'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he find! s help--a hearty bunch of bug warriors--and brings them back t! o the co lony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-abou! t sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Saturday, December 3, 2011

How I Married My High School Crush

  • HOW I MARRIED MY HIGH SCHOOL CRUSH (DVD MOVIE)
HOW HIGH - DVD MovieGrab your favorite munchies, kids. Red and Meth, that dope-addled dynamic duo, are going to Harvard! And while it's not an episode of Masterpiece Theatre, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed while slinging slang and driving funky, '70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario, and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humor. Red and Meth, a.k.a. Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness t! hat raises him above the film's leaden script and plasticine directing. --Rebecca LevineCOMEDY PACK QUADRUPLE FEATURE - DVD MovieHalf Baked
Cannabis comedy doesn't get more juvenile than this pro-pot goof about three stoners who come to the rescue of a fourth buddy when he's arrested for feeding a lethal dose of junk food to a diabetic police horse. Kenny (Harland Williams) is sent to jail, and to rescue him from the almost inevitable trauma of homosexual rape (giving you some idea of this movie's level of humor), his buddies set out to raise his $100,000 bail by selling high-grade weed ripped off from a pharmaceutical research lab. That's about it for the plot; the rest of the movie's a parade of marijuana jokes and amusing pot-friendly cameos by the likes of Snoop Dog, Willie Nelson, and Janeane Garofalo. As two of the bong-hitting buddies, Jim Breuer (from Saturday Night Live) and comedian Dave Chappelle do their best to disguise the movie! 's lack of inspiration. But no matter how hard they try to mil! k laughs from the one-joke premise, they can't stop the movie's title from being an apt description of t! he movie itself. --Jeff Shannon

CB4
Comedian Chris Rock is the leader of a middle-class rap act that wins fame and fortune after donning a prison persona. The title stands for Cell Block 4. Naturally, they are mistaken for the real thing by everyone but the incarcerated gangstas, who are none too happy at the theft of their identities. One of the better efforts from Saturday Night Live alumni, this "rapumentary" is a hip-hop hit. However, it is not up to the cutting humor of that granddaddy of all spoofs, This Is Spinal Tap?, as misogyny and meanness get in the way. It has an anything-goes mentality, so expect outrageously filthy lyrics and plenty of tasteless humor. Of note: Director Tamra Davis was also behind that wild 1992 road movie, Guncrazy. --Rochelle O'Gorman

How High
Grab your fav! orite munchies, kids. Red and Meth, that dope-addled dynamic duo, are going to Harvard! And while it's not an episode of Masterpiece Theatre, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed while slinging slang and driving funky, '70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario, and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humor. Red and Meth, a.k.a. Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plasticine directing. --Rebecca Levine

Trippin'
Deon Richmond has it all...mone! y, fame and girls. Unfortunately for him, it’s all in his dr! eams. He spends so much time trippin’, he might miss out on what will happen. He learns there’s more to look forward to in life by keepin’ it real.Trippin’: “G” (Deon Richmond) spends so much time trippin’ on what might happen that he’s about to miss out on what will happen. When he sets his sights on Cinny (Maia Campbell) , he learns some hard lessons about life and love. Co-starring Donald Faison, it’s an unbeatable comedy on keepin’ it real. Half Baked: Dave Chappell, Snoop Dogg, Jon Stewart, Willie Nelson and Tommy Chong star in this hilarious adventure of three lovable party buds trying to bail their friend out of jail. But just when the guys have mastered a plan, everything comes dangerously close to going up in smoke! Screwed: Over-abused and underappreciated by his boss from hell (Elaine Stritch), Willard Fillmore (Norm MacDonald) and his best friend (Dave Chappelle) dognap his boss’ precious pouch. But when the dog escapes, they must get ! help from a crazy mortician (Danny DeVito) to cash in on the payoff. How High: Silas (Method Man) and Jamal (Redman) are slackers with a talent for botany (and booty) and a knack for staying far away from school. Against all odds, both ace a college entrance exam and end up in Harvard, where they turn the school upside-down with their parties, honeys and hijinks! CB4: Hot rap group CB4â€"MC Gusto (Chris Rock), Stab Master Arson (Deezer D) and Dead Mike (Allen Payne)â€"are living large as their albums blow up the charts. But their rise takes a hilarious turn when reality hits the streets that these cats are just middle-class kids posing as ex-con thugs.HALF BAKED FULLY BAKED EDITION - DVD MovieCannabis comedy doesn't get more juvenile than this pro-pot goof about three stoners who come to the rescue of a fourth buddy when he's arrested for feeding a lethal dose of junk food to a diabetic police horse. Kenny (Harland Williams) is sent to jail, and to rescue him from! the almost inevitable trauma of homosexual rape (giving you s! ome idea of this movie's level of humor), his buddies set out to raise his $100,000 bail by selling high-grade weed ripped off from a pharmaceutical research lab. That's about it for the plot; the rest of the movie's a parade of marijuana jokes and amusing pot-friendly cameos by the likes of Snoop Dog, Willie Nelson, and Janeane Garofalo. As two of the bong-hitting buddies, Jim Breuer (from Saturday Night Live) and comedian Dave Chappelle do their best to disguise the movie's lack of inspiration. But no matter how hard they try to milk laughs from the one-joke premise, they can't stop the movie's title from being an apt description of the movie itself. -- Jeff Shannon Grab your favorite munchies, kids. Red and Meth, that dope-addled dynamic duo, are going to Harvard! And while it's not an episode of Masterpiece Theatre, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any C! heech & Chong movie (a pair of shambolic protagonists who smoke lots of weed while slinging slang and driving funky, '70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario, and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humor. Red and Meth, a.k.a. Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plasticine directing. --Rebecca LevineGrab your favorite munchies, kids. Red and Meth, that dope-addled dynamic duo, are going to Harvard! And while it's not an episode of Masterpiece Theatre, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists w! ho smoke lots of weed while slinging slang and driving funky, ! '70s-sty le cars), graft them onto a generic "raising hell on campus" teen movie scenario, and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humor. Red and Meth, a.k.a. Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plasticine directing. --Rebecca LevineTitles include: Friday, Next Friday, Friday After Next, All About The Benjamins Friday
Friday
is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South ! Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown

Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig'! s father (John Witherspoon) sends his son to stay with his Un! cle Elro y (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though funny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer
Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --B! ret Fetzer

All About the BenjaminsIce Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisSeventeen-year-old Sara (Katee Sackhoff, 24, Battlestar Galactica) has been madly in love with popular classmate Brian (! Sage Brocklebank, Psych, Smallville) ever since pre-school and dreams of marrying him. Problem is, he doesn t know she exists. When a solar eclipse inexplicably sends them from high school in 1990 to their actual wedding day in 2007, Sara (now in her mid-30s) discovers that, somehow, her wish came true. With their grown-up careers in full swing Sara is running for Lieutenant Governor, and Brian is a wealthy investment banker the couple realizes they are not at all prepared for what adulthood has in store. They still feel like the 17-year-olds they see when they look in the mirror, yet everyone else in their lives sees them as 35...and expects them to act their age. Is it possible that Sara and Brian are really fated to be together? Or should they follow a less certain path in their new lives, and risk falling for other people?

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