Hunted: The Demon's Forge

• Dark Fantasy Shooter: Powered by the Unreal 3 engine, the world of Hunted comes to life in a third-person dungeon crawl with the intensity and action of a modern-day shooter.
• Co-op at a Distance: Combine E'lara's ranged attacks with Caddoc's melee expertise to pull off gruesome co-op kill moves, perform special attacks, and heal one another regardless of where they in relation to one another on the battlefield.
• Two Ways to Fight: Wade into the thick of the fight using melee skills, or tactically use cover combat to dispatch hordes of creatures with bows and spells.
• Spell-Powered Combat: Powerful magic spells can be used to boost your partner's combat effectiveness and even the odds against increasingly formidable enemies.

Directed by Academy Award winner William Friedkin, THE HUNTED follows FBI agent Abby Durrell (Nielson) and her new recruit, L.T. Bonham (Jones) - a s! pecialist in deep-woods tracking, as they team up to track and hunt down trained assassin, Aaron Hallam (Del Toro), who made a sport out of fatally shooting deer hunters in the forests outside Portland, Oregon. Using his well-honed nature skills to locate Hallam, Bonham soon finds himself and his partner lured into a gut-wrenching game of cat and mouse. With ruthless precision and murderous skill, Hallam remains one step ahead of his pursuers as Bonham and Durrell try to outwit him in the natural and urban wildernesses before Hallem turns them into his next victims.William Friedkin's taut direction highlights The Hunted, a bloodsport thriller that works best without dialogue. It's a prime vehicle for costars Tommy Lee Jones and Benicio Del Toro, whose rugged screen personas are perfectly matched in a manhunt between a military assassin and the man who trained him to kill. Traumatized by atrocities in Kosovo four years earlier (the site of an action-packed prologue),! Hallam (Del Toro) is seemingly psychotic and now killing in t! he fores ts of Oregon; Bonham (Jones) is lured out of retirement by a tenacious FBI agent (Connie Nielsen) to end Hallam's murder spree. The hackneyed plot is derivative to a fault (no surprise from the screenwriters of Collateral Damage), and the whole movie's a foregone conclusion, but Friedkin inspires fine work from his well-trained stars while exploring the ambiguity of Hallam's character. Lushly photographed by Caleb Deschanel, The Hunted is a survivalist's dream, militarily authentic and most effective when its primal instincts are cinematically expressed. --Jeff ShannonThis book is a Super plus length novelâ€"165,000 words long

Sophia Waterhouse has always been afraid of needles and vampires so there’s no way she wants anything to do with a modern day Count Draculaâ€"even if he does come wrapped in the package of a huge Kindred warrior with blond hair and ice blue eyes. She’s only on the Kindred Mothership to participate in her sister Livâ€! ™s wedding and that’s all.

Sylvan is a Tranq Kindred who has made a sacred vow never to call a bride. After a devastating rejection on his home planet, his heart is a block of ice no one can meltâ€"or so he thinks until he meets Sophia.

When their ship is forced down in the middle of a rugged mountain range Sophia and Sylvan are stranded. Running for their lives they have only each other to depend on. Will they give in to the intense attraction between them or will the evil hunting Sophia take its toll? You’ll have to read Brides of the Kindred Book 2â€"Hunted to find out.

More about the Brides of the Kindred series
A race of Genetic Traders from beyond the stars
Three very different types of men
All looking for one thing…their brides

Beast Kindredâ€"Savage in battle these dark, brooding warriors from Rageron bring their passion and intensity to the bedroom. They possess a very special endowment that ensures e! very sexual experience is a tantric one.

Blood Kind! redâ€"Co ld as ice to their enemies, these tall, blond warriors from Tranq Prime warm up when they find the right woman. But be careful…they bite.

Twin Kindredâ€"Muscular and rugged, these warriors from Twin Moons always come in pairs and cannot be separated. They experience physical pain when parted from each other…or the one woman they both choose to love.

And then there is the enemy…

The Scourgeâ€"A genetic trade gone wrong, these menacing outsiders have twisted desires and sexual needs fierce enough to frighten away even the most adventurous. Their need to dominate and possess their women completely has led to a strange prophesy that they must fulfill…or die trying.

This book is a Super plus length novelâ€"165,000 words long

Sophia Waterhouse has always been afraid of needles and vampires so there’s no way she wants anything to do with a modern day Count Draculaâ€"even if he does come wrapped in the package of a huge K! indred warrior with blond hair and ice blue eyes. She’s only on the Kindred Mothership to participate in her sister Liv’s wedding and that’s all.

Sylvan is a Tranq Kindred who has made a sacred vow never to call a bride. After a devastating rejection on his home planet, his heart is a block of ice no one can meltâ€"or so he thinks until he meets Sophia.

When their ship is forced down in the middle of a rugged mountain range Sophia and Sylvan are stranded. Running for their lives they have only each other to depend on. Will they give in to the intense attraction between them or will the evil hunting Sophia take its toll? You’ll have to read Brides of the Kindred Book 2â€"Hunted to find out.

More about the Brides of the Kindred series
A race of Genetic Traders from beyond the stars
Three very different types of men
All looking for one thing…their brides

Beast Kindredâ€"Savage in battle these dark, brooding warriors from Rageron b! ring their passion and intensity to the bedroom. They possess ! a very s pecial endowment that ensures every sexual experience is a tantric one.

Blood Kindredâ€"Cold as ice to their enemies, these tall, blond warriors from Tranq Prime warm up when they find the right woman. But be careful…they bite.

Twin Kindredâ€"Muscular and rugged, these warriors from Twin Moons always come in pairs and cannot be separated. They experience physical pain when parted from each other…or the one woman they both choose to love.

And then there is the enemy…

The Scourgeâ€"A genetic trade gone wrong, these menacing outsiders have twisted desires and sexual needs fierce enough to frighten away even the most adventurous. Their need to dominate and possess their women completely has led to a strange prophesy that they must fulfill…or die trying.

Set in a dark fantasy world, Hunted: The Demon's Forge is an unforgettable cooperative action game, pitting you and your partner against waves of vicious enemies. Taking control of eit! her E'lara, a ranged weapon expert, or Caddoc, a master swordsman, you must use a variety of weapons, powerful spells, and cover tactics to battle your way through menacing dungeons, overgrown ruins, and downtrodden towns. Discover secrets and complete co-op-based puzzles whilst exploring the sinister world to discover answers to the game's deep, dark mysteries. The dark ages have become corrupted. Heinous creatures have emerged from underground. Townsfolk across the land are disappearing. Upon the promise of their fortune in gold, mercenaries E'lara and Caddoc take on the daunting task of discovering where the innocent villagers have been taken. Their journey will lead them on a dark and twisted path where they will encounter death, slavery, and sacrifice. Travel deep within the world of Kala Moor...and to the secrets of The Demon's Forge.

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Glass

• ISBN13: 9781416940913
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster--crystal meth--that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter's addiction to crystal meth, Ellen Hopkins' novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina's voice, it provides a realistic portrayal of the tortured logic of an addict.Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship betw! een Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Br! ee may never be free from her addiction. In the author's note,! Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer HubertThe heart-wrenching bestselling Crank trilogy shows that addiction is never just one person’s problem.

Crank

Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soulâ€"her life.

Glass

Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and h! ow much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go.

Fallout

Nineteen years after Kristina met the monsterâ€"crankâ€"her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselvesâ€"the trust, the hope, the courage to begin to break the cycle.There are a thousand ways to raise your adrenaline, and today hit many Chev Chelios (Jason Statham) will need every one! He has one hour to settle the score and say good-bye to his girl and go out with a little style! The only question is, will he stay alive long enough to see it happen?Act! ion anti-hero Jason Statham is competing with himself to make ! the most relentless, non-stop action flick imaginable. In Crank, Statham stars as a hit man named Chev Chelios who's been poisoned by some Chinese toxin; the only way to stave it off is to keep his adrenalin flowing, which requires him to drive at top speeds through crowded traffic, start fights in bars, and run pell-mell down hospital corridors while wearing one of those humiliating smocks that tie in the back. In other words, Crank is high-end pop-trash, filled with many preposterous/ingenious stunts and over-the-top performances (Dwight Yoakam, Sling Blade, is downright droll as a doctor offering Chev assistance), marred by an unpleasant attitude towards women (Amy Smart, Outside Providence, will not look back on this as one of her signature roles). This is a movie for the audience who enjoyed Transporter and Transporter 2 but wanted Statham's perpetual scowl to become a kind of theatrical mask, a perpetual signifier of intensity that beg! s--nay, demands--that everything around it rise to a mutual level of absurdity. Fans of Luc Besson (Leon/The Professional, District 13) will find Crank to be simpatico. --Bret FetzerCrank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.

Kristina thinks she can control it. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.

Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves -- her baby.

The sequel to Crank, this is the continuing story of Kristina and her descent back to! hell. Told in verse, it's a harrowing and disturbing look at ! addictio n and the damage that it inflicts.

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Death at a Funeral

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

From acclaimed director Frank Oz (In & Out, Dirty Rotten Scoundrels) comes "a fast, furious and riotously funny farce" (Maxim) that'll have you dying with laughter!

As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).Though it doesn't hit the same comic heights as Bowfinger, Death at a Funer! al is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though! he's worked in the States for several decades, director Frank! Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy

Beyond Death at a Funeral

More from Frank Oz

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Stills from Death at a Funeral

A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies. Studio: Sony Pic! tures Home Ent Release Date: 08/10/2010 Starring: Keith Davi! d Run t ime: 92 minutes Rating: R Director: Neil LabriteLess than three years after the 2007 Brit-com Death at a Funeral hit theaters, this remake offered a nearly scene-for-scene variation on the original. Once again a family has gathered for the dignified memorial service for a patriarch: older son (Chris Rock) has prepared a eulogy; younger son (Martin Lawrence) has flown in on his celebrity as a bestselling author; favorite niece (Zoe Saldana) has brought her fiancé (James Marsden, flipping out), unaware that he has accidentally ingested a hallucinogen manufactured by her pharmaceutically minded brother (Columbus Short, from Cadillac Records). You know, the usual fare for a funeral. The wild card is a stranger (Peter Dinklage, the only member of the cast to repeat his role from the 2007 film) who has something urgent to impart to the two sons. There's nothing terribly elevated about the slapstick, and one particular scatological sequence tests the boundaries of ! the bearable (30 Rock's Tracy Morgan, in his usual unbounded form, takes the brunt of this scene). The unexpected director is Neil LaBute, who shows off his sense of comic timing and keeps the whole apparatus moving along briskly. In addition to the relatively subdued lead turns by Rock and Lawrence, the big cast includes Danny Glover, Regina Hall, Luke Wilson, and Loretta Devine. It is almost irrelevant to debate whether this version improves or deflates the original; both hit their marks, deliver the broad yuks, and leave behind a mostly mechanical feel. But the job is accomplished--now rest in peace. --Robert Horton

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Heist

• TESTED

Gene Hackman plays the veteran ringleader of a gang of theives (Delroy Lindo, Ricky Jay and Rebecca Pigeon as Hackman's youngish wife) that pulls off complex heists for a despicable fence (Danny DeVito). After stiffing the gang on a jewelry robbery, DeVito forces the gang to go after a Swiss gold shipment and to use his son (Sam Rockwell) in the crime. Mistrust runs rampant as double-crosses threaten the split-second operation.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula. Likewis! e, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable, Heist is entirely Hackman's show to steal. --Fionn Meade

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Dirty Deeds (Unrated)

• An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds" an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl o

An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds"… an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl of his dreams (Lacey Chabert).

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ORIGINAL Churchill: The Hollywood Years POSTCARD Slater - 4x6

• high quality postcard
• brand new and suitable for collectors
• measures 4.00 by 6.00 inches
• ships quickly and safely in a protective envelope

Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Cultural depictions of Winston Churchill.

More info: The life of Winston Churchill has frequently been fictionalised for film, television, radio and other media. * The Hollywood Years (20! 04) - Christian Slater Other Portrayals * Allegiance (2005) - Mel Smith * Two Men Went to War (2002) - David Ryall * Shaheed Uddham Singh: Alais Ram Mohammad Singh Azad (2000) - Joe Lamb * Casablanca Express (1989) - John Evans * Katastrofa w Gibraltarze (1984) - Wlodzimierz Wiszniewski * Sekret Enigmy (1979) - Józef Zacharewicz * The Eagle Has Landed (1976) - Leigh Dilley * Operation Crossbow (1965) - Patrick Wymark * The Finest Hours (1964) - Patrick Wymark / George Westbury * The Man Who Never Was (1956) - Peter Sellers * Nezabyvaemyy god 1919 (1952) - Viktor Stanitsyn * Stalingradskaya bitva I (1949) - Viktor Stanitsyn * Mission to Moscow (1943) - Dudley Field Malone * Royal Cavalcade (1935) - C.M. HallardORIGINAL Churchill: The Hollywood Years POSTCARD Slater - 4x6

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