(11x17) Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster Print

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 11.00 by 17.00 inches (27.94 by 43.18 cms)

Move over, all you pretenders...here are the original party animals â€" the animated gang of Barnyard! This laugh-filled adventure stars Otis, a carefree cow who spends his days singing, dancing and playing tricks on humans...much to the dismay of his father, Ben. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that’ll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Queens) loves to have fun at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When ! Ben dies defending the barnyard from marauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the movie sag. --Bret FetzerMoo-ve over, all you pretenders … here are the original party animals â€" the critters of Barnyard! This laugh-filled, tuneful anim! ated adventure stars Otis (voiced by Kevin James), a carefree ! party co w. To the consternation of his respected father Ben (voiced by Sam Elliott), Otis is happy to spend his days singing, dancing and playing tricks on humans. But all good things must come to an end, and when Otis is suddenly forced into his father's position of responsibility, the animal antics multiply as he struggles to find the courage and talent to be a true leader. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that'll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Queens) loves to have fun at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When Ben dies defending the barnyard from marauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the ! coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the movie sag. --Bret Fetzer(11x17) Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster Print

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Hank and Mike

• Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship. Format: DVD

Hank and Mike tells the hilarious story of two blue-collar Easter Bunnies who get downsized from the job they love. Having no other work experience, they try their hand at an assortment of odd jobs, failing miserably at each. Fighting debt, eviction and eventually each other, Hank and Mike come to realize that there is something far more important than their jobs - their friendship.

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Aquamarine

• Features include: -MPAA Rating: PG -Format: DVD-Runtime: 104 minutes

14K White Gold Plated 925 Sterling Silver Heart Created Aquamarine Earring Studs crafted in 14k White Gold Plated Silver Dimensions: Width: 7.00 mm Length: 7.00 mm2 Stones 3.00 Carats Heart Shaped 7x7 Color: Light Blue Clarity: Clean FREE GIFT BAG! FREE GIFT CARD! Finejewelers Style Number: 302300.Two best friends get exactly what they fish for in Aquamarine, a laugh-out-loud hilarious comedy about friendship! Emma Roberts, Sara Paxton and pop sensation JoJo star in an adventure that's "the sweetest treat since Princess Diaries!" (Yahoo! Movies)

It's the end of summer and Claire (Roberts) and Hailey (JoJo) have a major problem. In just five days, Hailey's family is moving halfway around the world! These girls need a major miracle, and they get one in the form of Aquamarine, a beautiful mermaid who washes ashore in ! a late summer storm. Sweet but clueless to the ways of romance, she offers to grant the girls one wish if they help her find the boy of her dreams. But when they attempt to reel in the cute local lifeguard, the result is something none of them expect and they discover that sometimes what you wish for isn't what you really want after all!The sun, the sand, and a sweet sassy mermaid--what more could any young girl want from summer? Claire (Emma Roberts, Nancy Drew: The Mystery in Hollywood Hills) and Hailey (JoJo, R.V.) go giddy at the sight of hunky lifeguard Raymond (Jake McDorman). When a storm washes a mermaid named Aquamarine (Sara Paxton, Sleepover) into a swimming pool, Claire and Hailey agree to help her find love--even if it's with Raymond--because Aquamarine will grant them a wish that will keep Hailey from having to move away to Australia. Parents of preteen girls may approach Aquamarine with dread, but the movie's formulaic beginnings a! re given a heartening twist; the movie starts by wallowing in ! Cosmo girl-fueled boy-craziness, but finishes as an unexpectedly touching paean to friendship (with some surprisingly down-to-earth suggestions about romance). Roberts and JoJo are a charming duo, eager to be older than they are, but in the end growing up no faster than they need to. Also featuring Bruce Spence, known to some viewers as the Gyro Captain from The Road Warrior and to others as the voice of a shark in Finding Nemo. --Bret Fetzer

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Star of David: Hunting for Beautiful Girls

• Twoic Bollywood horror movies. Sex, blood, dancing vampires and hairy beasts in an unmissable double bill of wild, Bollywood style entertainment. In Veerana: Vengeance of the Vampire, a local landowner s daughter is possessed by the spirit of a dead witch. She becomes a bloodsucking seductress. In Purani Haveli: Mansion of Evil, an innocent girl unwittingly releases the ancient curse contained in

An all-star cast sparks this captivating comedy about a group of old friends whose 10-year high school reunion creates some hilariously unexpected surprises. Willie (Timothy Hutton -- FRENCH KISS), Tommy (Matt Dillon -- TO DIE FOR), and Paul (Michael Rapaport -- MIGHTY APHRODITE) may have lost a bit of their youth, but they're still ready to party with Uma Thurman (PULP FICTION), Rosie O'Donnell (TV's THE ROSIE O'DONNELL SHOW), Lauren Holly (DUMB AND DUMBER), and Mira Sorvino (AT FIRST SIGHT) -- the ! "beautiful girls" who've turned their lives upside down! Also featuring a hot soundtrack, BEAUTIFUL GIRLS is a must-see comic delight that's sure to entertain you!This town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded rol! e for Michael Rapaport) refuses to commit to Jan (Martha Plim! pton) un til it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.

The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. Y! ou deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug ThomasTimothy Hutton (The Ghost Writer), Matt Dillon (Takers), Michael Rapaport (Hitch), Uma Thurman (Kill Bill Vol. 1 & 2), Rosie ODonnell (Harriet The Spy), Lauren Holly (What Women Want) and Mira Sorvino (Romy and Micheles High School Reunion) light up the screen in this captivating comedy about a group of old friends whose ten-year high school reunion creates some hilariously unexpected surprises.

Despite years of experience, Willie (Hutton), Tommy (Dillon) and Paul (Rapaport) are still struggling to figure out the opposite se! x. Now reunited in their snowy Massachusetts hometown, these l! ife-long buddies find themselves partying with the beautiful girls who've turned their world upside down. Also starring a young Natalie Portman (No Strings Attached) in a mesmerizing performance (Variety).This town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino)! is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.

The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see ! Natalie Portman's sophisticated work in the The Professiona! l, h er performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug ThomasThis town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth G! ish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.

The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. ! From the big city, she can flirt with the awestruck guys and s! till kee p her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug ThomasUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: During a snowy winter in the small fictional town of Knight's Ridge, Massachusetts, a group of lifelong budd! ies hang out, drink and struggle to connect with the women who affect their decisions, dreams and desires. Tommy "Birdman" Rowland and Kev, his sidekick, plow snow for a living. A former campus stud, Tommy continues to harbor feelings for his ex-girlfriend Darian, complicating his relationship with current lover Sharon. Paul Kirkwood lives with Birdman and also plows snow. Inexorably drawn to supermodels and the "ideal" woman, he refuses to commit to Jan, his girlfriend of seven years. Traveling from New York where he works the piano bar circuit, Willie Conway is at a crossroads in his life. Although he lives with sharp attorney Tracy Stover, Willie cannot commit to the relationship. In Knight's Ridge, he meets Marty, a 13 year-old "heartbreaker in training" and Andera, Stinky's cousin from Chicago, who compel Willie to reassess the value of his life and his relationship with Tracy. ...Beautiful Girls (UK)This town drama from Ted Demme centers on former classmates coming t! ogether for their 10-year reunion. Scott Rosenberg's (Thing! s to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy ! as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.

The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's ! script. Everyone's so comfortable in his or her roles that yo! u may tr uly feel sad when the film ends. --Doug ThomasTwo classic Bollywood horror movies. Sex, blood, dancing vampires and hairy beasts in an unmissable double bill of wild, Bollywood style entertainment. In Veerana: Vengeance of the Vampire, a local landowner?s daughter is possessed by the spirit of a dead witch. She becomes a bloodsucking seductress. In Purani Haveli: Mansion of Evil, an innocent girl unwittingly releases the ancient curse contained in her family?s old country mansion. Statues come to life, hairy beasts roam the corridors, the bodies pile up. Can nothing stop the evil they have unleashed?

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Nikon HB-34 Lens Hood for 55-200mm DX Nikkor Lens

• Lens hood, Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens
• Deflects oblique light angles that often cause flare effects
• Helps protect front of the lens scratches and dings while shooting

An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depicti! on of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerAndie MacDowell (FOUR WEDDINGS AND A FUNERAL) stars in the compelling story of one woman's determination to find her husband Harrison (David Strathairn, L.A. CONFIDENTIAL), a Pulitzer Prize-winning photojournalist. He is reported as missing while on a dangerous assignment covering a war in a foreign country. When Harrison is presumed dead by his colleagues and editor, only Sarah believes that he is still alive. Driven by intense passion she courageously plunges into a land ravaged by war, risking her own life as she engages in a relentless search to find him.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie Ma! cDowell stars as Sarah Lloyd, the wife of a photojournalist r! eported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret Fetzer

Learn how to paint flowers the Terry Harrison way. Using simple techniques and clear step-by-step photographs he shows how to add vibrant colour and life to peaceful landscapes, sunlit courtyards and woodland scene! s. Soon you will be painting roses, bluebells, poppies, daisies, foxgloves and more.

An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, a! ll the performances are solid, and Brody is outstanding. -! -Bret Fe tzerFor 55-200mm Zoom Nikkor Lens, Lens hood Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens Deflects oblique light angles that often cause flare effects Helps protect front of the lens scratches and dings while shooting

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Conversation(s) With Other Women

• There Are Two Sides To Every Love Story At a New York City wedding reception, two guests (Helena Bonham Carter and Aaron Eckhart), seemingly strangers, become entangled in a sexually-charged battle of wits. As the night carries on, the nameless couple's repartee deepens to reveal the passion of their past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature de

At a New York City wedding reception, two guests, seemingly strangers, become entangled in a sexually-charged battle of wits. But as the night carries on in a cigarette smoke haze, the nameless couple's repartee deepens to reveal the passion of their two decades past love affair. Unfolding entirely in split-screen, director Hans Canosa's feature debut is an unconventional and poignant love story.

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Everybody Loves Raymond: The Series Finale

• DVD Details: Actors: Ray Romano, Patricia Heaton, Doris Roberts, Brad Garrett, Peter Boyle
• Writers: Philip Rosenthal
• Format: Closed-captioned, Color, DVD, Widescreen, NTSC
• Aspect Ratio: 1.78:1; Number of discs: 1; Studio: HBO Home Video
• DVD Release Date: May 24, 2005; Run Time: 30 minutes

Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding t! o the complications. But through it all, Allen's dream cast knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic enta! nglements, including Allen's pursuit of Julia Roberts through ! the stre ets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding to the complications. But through it all, Allen's dream cast! knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts throu! gh the streets of Paris and the canals of Venice. The musical ! numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts t! hrough the streets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Mira Sorvino won an Oscar for her performance as a bubbleheaded hooker and porn star who happens to be the mother of a bright young boy adopted by a Manhattan couple (Woody Allen and Helena Bonham Carter). The story finds Allen's sportswriter character becoming curious about the identity of his son's biological mom, and he strikes up a relationship with her without revealing why. This 27th feature written and directed by Allen is a nice combination of smart comedy and some of the wackier energy of his earliest movies. (Between scenes, there's a running gag involving a Greek chorus--actually filmed among some real Greek! ruins--who do song-and-dance interpretations of the script's ! events.) This isn't Allen at his best, but it is a fine minor work graced by Sorvino's spin on the cinema's archetypal dumb blonde. --Tom KeoghHow do you say goodbye to the show The New York Times called "The sitcom of our times?" Find out as the series bids a fond farewell, delivering the same good cheer and classic humor that has charmed us for nine seasons. DVD includes the series finale plus the original pilot episode of Everybody Loves Raymond which aired on CBS on September 16, 1996!

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Halloween Blu-ray Triple Pack(Halloween 6, H20, Halloween Resurrection)

• 1080i/p widescreen 2.35:1/1.78:1
• Includes Three Films, Halloween 6, H20, and Resurrection
• 264 minutes

Original HALLOWEEN star Jamie Lee Curtis (HALLOWEEN: H2O, TRUE LIES) is back and joined by Busta Rhymes (SHAFT) and Tyra Banks (COYOTE UGLY) in the terrifying HALLOWEEN: RESURRECTION -- the latest in this electrifying horror film series! The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas -- SAVE THE LAST DANCE), Bill (Thomas Ian Nicholas -- AMERICAN PIE 1&2), and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Myers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party!Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection! picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when Michael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonOriginal Halloween star Jamie Lee Curtis (You Again) is back and joined by Busta Rhymes and Tyra Banks in the terrify! ing Halloween: Resurrection, another installment in the! electri fying horror film series.

The reality programmers at DangerTainment (Rhymes, Banks) have selected Rudy (Sean Patrick Thomas, The Fountain), Bill (Thomas Ian Nicholas, American Pie) and a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.Number 8 in the Halloween line maintains connections to John Carpenter's original. Resurrection picks up the thread of Halloween: H2O, with poor Laurie Strode (Jamie Lee Curtis) now in a psychiatric hospital and determined to shut down homicidal Michael Myers once and for all. After this prologue, the story shifts to the old Myers house, where a TV reality show has enticed six teenagers to spend a single night in the spooky home. Needless to say, things are spoiled when M! ichael barges in: "I so did not sign up for this," sighs the young heroine, when the bloodletting begins. The mayhem is being broadcast live on the Internet, which makes the film a bit like Rear Window with Instant Messaging. The interesting premise is routinely handled, but that's enough to make this one of the better sequels in the series. Maybe they finally finished off Michael in this one, wink wink. --Robert HortonHALLOWEEN: RESURRECTION
The reality programmers at DangerTainment have selected a group of thrill-seeking teenagers to spend one fun-filled night in the childhood home of serial killer Michael Meyers. But the planned live broadcast turns deadly when their evening of excitement becomes a night of horror as Michael himself decides to crash the party.

HALLOWEEN: H2O
Now the headmistress of a private school, Laurie Strode (Jamie Lee Curtis) is still struggling with the horrifying, 20-year-old me! mories of the maniacal killer Michael Myers...when he suddenly! reappea rs with a vengeance. Laurie's rebellious son, his girlfriend, and the school security guard will become Michael's newest victims unless Laurie can conquer her greatest fears and put evil in its place once and for all.

HALLOWEEN: THE CURSE OF MICHAEL MYERS
In a single horrifying night, Michael Myers' masked reign of terror changed Halloween forever. Now, six years after he was presumed dead in a fire, Myers has returned to kill againâ€"and this time there's no escape. As the homicidal fury builds to a spine-tingling climax, the long-hidden secrets of the screen's most maniacal murderer are revealed...with shocking results.Halloween: The Curse of Michael Myers (1995)1080i The sixth entry in the series has Dr. Sam Loomis once again in pursuit of the homicidal Michael Myers. Now driven by a satanic power, Myers chases his grown niece and her child to his midwestern hometown of Haddonfield. Although the town is trying to overcome it's past history of nightmarish bloodletting, a local radio shock jock is stirring things up again and the unlucky residents of Myers' former house are turning up dead. Halloween: H2O (1998)1080i After faking her death and changing her name to evade the murderous Michael Myers, Laurie Strode, now a teacher at a Southern California private school, is again targeted by her nemesis. Most of the school goes away on a trip, but her son John stays behind along with his girlfriend and a couple of other kids. John is now the age that Laurie was when Michael first attacked her friends, and she is scared and seemingly over- protective. But her fears are proved right when Michael returns to town, stalking first the teens and then Lauie herself. Halloween: Resurrection (2002)1080p The nurses at Grace Anderson Sanitarium tell stories of patient Laurie Strode. She's the sister of the murderous legend Michael Myers - and 3 years ago, she thought she had destroyed her sibling for good.

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Flicka 2

• NTSC
• Subtitled in Spanish
• Widescreen 1.78:1
• Dolby Digital
• Region 1

Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out t

Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka itself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), t! hough the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

Beyond Flicka

Flicka Family! Classics Collection

My Friend Flicka (Paperback)

Flicka Soundtrack

Stills from Flicka

	!

Flicka

Set amidst spectacular mountain vistas, this inspiring, coming-of-age story features an all-star cast, including country music star Tim McGraw, Maria Bello and Alison Lohman. All headstrong, 16-year-old Katy McLaughlin (Lohman) longs for is to work on her family's mountainside horse ranch - yet her father (McGraw) insists she finish boarding school. So when Katy finds a mustang in the hills, she sets out to tame the horse and prove she can one day take over the struggling ranch. But when tragedy strikes, it will take all the love and strength the family can muster to restore hope, in this sweeping, heartwarming epic the whole family will love.

Flicka 2

The uplifting film, directed by Michael Damian (Moondance Alexander), a continuation of the popular 2006 Flicka that starred Tim McGraw, features Patrick Warburton (Family Guy, Seinfeld), newcomer Tammin Sursok (The Young And The Restless) and country legend Clint Black in a thrilling story of the special bond between one girl and the mustang no one could tame. Carrie (Sursok) is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father (Warburton). But everything changes when Carrie meets Flicka, a wild, jet-black mustang who's just as free-spirited and strong-willed as Carrie. The two form a special bond and Carrie opens her heart to her father and a handsome, local boy, but when a jealous rival puts Flicka's life in jeopardy, Carrie must do whatever it takes to save her best friend. The Flicka 2 DVD includes behind-the-scenes featurettes; a documentary on the North A! merican Mustang; an in-depth interview with Clint Black; bloopers and more.Disc 1: MY FRI FLICKA Disc 2: THUNDERHEAD: SON OF FLICKA Disc 3: GREEN GRASS OF WYOMING

My Friend Flicka: This gorgeous 1943 family film stars Roddy McDowell as a Colorado rancher's son who takes a shine to a colt named Flicka and chooses to train her. The boy's father (Preston Foster) isn't happy about the idea: the horse is an offspring of a stormy mare who may not be right in the head. For a while, Flicka seems determined to prove the rancher's point, fiercely resisting young McDowell's efforts at domestication. But persistence and love win the day, and Flicka grows up to be a magnificent animal and friend. The film was shot by director Harold Schuster and cinematographer Dewey Wrigley as if for the ages, marrying such perfect elements as a Technicolor sweep of the beautiful Rocky Mountains setting with a wonderful story, plus McDowell's charismatic earnestness. Based on the Mary! O'Hara novel, this film was popular enough in its time to ins! pire a c ouple of sequels, though the original best stands up as a perennially worthy adventure tale for kids ages 5 and up. --Tom Keogh

Thunderhead, Son of Flicka: A sequel to the wildly popular, heart-warming children’s classic My Friend Flicka, Thunderhead stars the original winsome young Roddy McDowall as the horse-lover against all odds. The sequel is every bit as touching, involving, and misty-eye-inducing as the original film. Thunderhead, a headstrong albino colt, is the son of the mare Flicka, and McDowall’s Ken McLaughlin sets out to find out what this wild thing can do. Thunderhead, when given his head, can fly as though winged, so Ken decides to enter Thunderhead in some horse races. But it becomes clear that Thunderhead can fly only if he’s free. A tragedy threatens the sweet world that Thunderhead and Ken have created, and only that magical love between child and animal can overcome the stumbling blocks. Thunderhead,! Son of Flicka is a worthy successor to the original film, and a touching family film for horse lovers of all ages. --A.T. Hurley

Green Grass of Wyoming: The final installment in Mary O’Hara’s landmark horse saga that includes MY Friend Flicka, The Green Grass of Wyoming is a worthy valentine to the love of horses and the wild America they represented in the mid-20th century. Robert Arthur replaces Roddy McDowall as Ken McLaughlin, the boy horse whisperer who connects on a subliminal level with four-legged critters. The equine star is Crown Jewel, a harness-racing trotter for whom Ken has hopes of championships and financial windfalls. But Jewel has something else on her mind--love, for the stallion Thunderhead (star of O’Hara’s second installment, Thunderhead, Son of Flicka. Arthur is a talented, charming successor to McDowall, and the breathtaking scenery and cinematography will charm even those film fans who a! ren’t big horse lovers. (Charles G. Clark was nominated for ! an Oscar for best cinematography.) Burl Ives makes the most of his sidekick role as Gus, and Lloyd Nolan is sympathetic as Ken’s financially struggling dad. Extras include a detailed featurette on the life of Mary O’Hara. --A.T. Hurley

Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka, Katy sets out to follow her own path not only with the horse, but with her future to show that she is capable taming Flicka and one day taking over the family ranch. Can a wild horse with a bad attitude and a not-quite-wild but pretty darn sullen teenage girl with a bad attitude be the best things that ever happened to each other? Though we guess the answer pretty early on in Flicka, it doesn't diminish the feel-good family film one bit. The film is a remake of the 1947 My Friend Flicka i! tself based on the bestselling (and still riveting) novel by Mary O'Hara, and starring a young Roddy McDowall as the aimless teen hero. This 2006 update changes the hero to a heroine, Katy (Alison Lohman), though the dynamic is similar, and in some ways makes the appeal of the film broader. After all, young girls love their horses, and Katy's moxie and determination, as she opens her heart to the wild filly, a touchingly and humanly conveyed. As Katy struggles with her relationship with her gruff dad (given an excellent performance by country star Tim McGraw), she finds she can gain confidence and be the person her father wants her to be--solely by being herself as she connects with Flicka the horse. The cinematography is stunning, and showcases a part of America that once was seen and celebrated often in films, and lately so rare as to be precious. --A.T. Hurley

The first time that ken McLaughlin sees Flicka galloping past him on his family's Wyoming horse ranch,! he knows she's the yearling he's been longing for. But Flicka! comes f rom a long line of wild horses, and taming her will take more than Ken could ever have imagined. Soon, Ken is faced with an impossible choice: give up on his beautiful horse, or risk his life to fight for her.

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