Glass

• ISBN13: 9781416940913
• Condition: New
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This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster--crystal meth--that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter's addiction to crystal meth, Ellen Hopkins' novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina's voice, it provides a realistic portrayal of the tortured logic of an addict.Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship betw! een Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Br! ee may never be free from her addiction. In the author's note,! Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer HubertThe heart-wrenching bestselling Crank trilogy shows that addiction is never just one person’s problem.

Crank

Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soulâ€"her life.

Glass

Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and h! ow much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go.

Fallout

Nineteen years after Kristina met the monsterâ€"crankâ€"her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselvesâ€"the trust, the hope, the courage to begin to break the cycle.There are a thousand ways to raise your adrenaline, and today hit many Chev Chelios (Jason Statham) will need every one! He has one hour to settle the score and say good-bye to his girl and go out with a little style! The only question is, will he stay alive long enough to see it happen?Act! ion anti-hero Jason Statham is competing with himself to make ! the most relentless, non-stop action flick imaginable. In Crank, Statham stars as a hit man named Chev Chelios who's been poisoned by some Chinese toxin; the only way to stave it off is to keep his adrenalin flowing, which requires him to drive at top speeds through crowded traffic, start fights in bars, and run pell-mell down hospital corridors while wearing one of those humiliating smocks that tie in the back. In other words, Crank is high-end pop-trash, filled with many preposterous/ingenious stunts and over-the-top performances (Dwight Yoakam, Sling Blade, is downright droll as a doctor offering Chev assistance), marred by an unpleasant attitude towards women (Amy Smart, Outside Providence, will not look back on this as one of her signature roles). This is a movie for the audience who enjoyed Transporter and Transporter 2 but wanted Statham's perpetual scowl to become a kind of theatrical mask, a perpetual signifier of intensity that beg! s--nay, demands--that everything around it rise to a mutual level of absurdity. Fans of Luc Besson (Leon/The Professional, District 13) will find Crank to be simpatico. --Bret FetzerCrank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.

Kristina thinks she can control it. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.

Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves -- her baby.

The sequel to Crank, this is the continuing story of Kristina and her descent back to! hell. Told in verse, it's a harrowing and disturbing look at ! addictio n and the damage that it inflicts.