- 2003 - Disney / Pixar - Finding Nemo
- Albert Brooks, Ellen DeGeneres / Animation
- Widescreen / Standard Versions - 100 Minutes
- THX/Dolby - Rated G - Bonus Features
- Very Collectible
Filipino-American high school student Ben (Dante Mercado) works in a comic book shop to earn money to pay his way into Cal Arts. His father, a postman, is determined that his son--who has won a pre-med scholarship to UCLA--will become a doctor. The eighteenth birthday party of Ben's sister, Rose, sets off a comedic and touching series of events and family struggles that will in turn determine young Ben's future. This fresh independent production from Gene Cajayon ! presents a lighthearted and warm coming-of-age tale filtered through the eyes of an American subculture rarely seen on film.Puberty sucks, and nobody knows it better than 13-year-old Ernest Chin (Jeffrey Chyau). As he watches guests come and go, Ernest finds himself forever stuck at his family's hourly-rate motel, where he divides his time between taking orders from his overbearing mom, cleaning up after whatever miscreants the motel may attract and longing for the girl of his dreams, 15-year-old Christine (Samantha Futerman, MEMOIRS OF A GEISHA). When charismatic Sam Kim (Sung Kang, PEARL HARBOR, BETTER LUCK TOMORROW, THE FAST AND THE FURIOUS: TOKYO DRIFT) checks into the motel, fatherless Ernest is taken under his wing and hustled toward manhood, for better or worse. THE MOTEL is an honest portrait of adolescence as heartfelt and authentic as it is hilarious.Winner of the Humanitas Prize at Sundance 2005, The Motel is a charming feature debut by writer/director Mic! hael Kang. Between Kang and producer Gina Kwon (Me and You ! and Ever yone We Know), this chronicle of adolescent sexual exploration shares the clean, contemporary look of Miranda July's film, and also Dayton/Faris's recent release, Little Miss Sunshine. Interestingly, all three examinations of humanity's awkwardness star nerdy, charismatic children. Punctuated by spare dialogue, The Motel follows Ernest (Jeffrey Chyau), a thirteen year-old Chinese American boy whose family runs a roach motel primarily visited by prostitutes and druggies. Ernest's mother and grandfather strictly enforce their depressing traditional family work ethic, squashing Ernest's hopes of winning a writing contest that he has secretly entered, for example. As Ernest cleans scummy rooms, he discovers porno magazines and other evidence of raunchy sexual escapades. Intrigued but shy about his sexual prospects, Ernest casually enlists his semi-girlfriend, Christine (Samantha Futerman) to explore magazine images with him. Funny, touching scenes of Ernest wit! h his little sister's stuffed toy bunny, to name one, remind the viewer of that curious age when sex is mysterious but tangible. When renegade adult, Sam Kim (Sung Kang), moves into the motel to drink and cavort with women, Ernest befriends him and takes tips. Eventually Ernest realizes that he's a gentleman as he begins to understand the subtleties of love. In this film marked by sincerity, one can't help but think of the protagonist's name metaphorically. --Trinie Dalton
DVD Features:
Audio Comm! entary
Gag Reel
Vanity Fair pr! esents 21 true stories of the new hard times
Where did ! all the billions go?
Commissioned by the editors at Vanity Fair magazine, The Great Hangover is an eye-opening collection of essays on the global economic crisis by fifteen of the most respected contemporary business writers in America, including:
Bryan Burrough (Barbarians at the Gate) on the atmosphere of uncertainty and fear that preceded the demise of Bear Stearns . . .
Michael Lewis (Liar's Poker) on Iceland's bizarre national implosion . . .
Mark Bowden (Black Hawk Down) on the decline of The New York Times and the threat to the ailing newspaper industry . . .
Mark Seal on the defining figure of the seriously tarnished New Gilded Age: the Grand Master of Greed, Bernie Madoff . . .
Along with compelling and sometimes hair-raising pieces from a dozen other Vanity Fair contributors on the recent recession's myriad villains and victimsâ"and the worldwide impact of the financial d! ownturn.
Vanity Fair presents 21 true stories of the new hard times
Where did all the billions go?
Commissioned by the editors at Vanity Fair magazine, The Great Hangover is an eye-opening collection of essays on the global economic crisis by fifteen of the most respected contemporary business writers in America, including:
Bryan Burrough (Barbarians at the Gate) on the atmosphere of uncertainty and fear that preceded the demise of Bear Stearns . . .
Michael Lewis (Liar's Poker) on Iceland's bizarre national implosion . . .
Mark Bowden (Black Hawk Down) on the decline of The New York Times and the threat to the ailing newspaper industry . . .
Mark Seal on the defining figure of the seriously tarnished New Gilded Age: the Grand Master of Greed, Bernie Madoff . . .
Along with compelling and sometimes hair-raising pieces from a dozen other Vanity Fa! ir contributors on the recent recession's myriad villains ! and vict imsâ"and the worldwide impact of the financial downturn.
From the director of "Old School" comes a new comedy about a bachelor party in Vegas gone horribly wrong. Two days before his wedding, Doug (Justin Bartha) and his three buddies (Bradley Cooper, Ed Helms, and Zach Galifianakis) drive to Vegas for a night they'll never forget. But when the three groomsmen wake up the next morning with pounding headaches, they can't remember a thing and the groom is nowhere to be found. With little time to spare the trio must attempt to retrace their bad decisions from the night before in order to get Doug back to LA in time for his wedding. Soundtrack features performances by The Dan Band and Mike Tyson. Every bad hangover starts with a great party album.PreToxx tablets are taken before drinking to prevent hangovers. The 100% natural time-release formula works while you drink, neutralizing the toxic effects of alcohol metabolism that cause hangover symptoms. Search for us on Facebook, become our Fan, and receive a coupon to buy 1 bottle and get 1 FREE!
Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>
What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.
Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."
Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.
Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.
Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typingâ¦okay, that one is understandable, given the page count for "Beautiful Creatures."
Kami: What can I say? I was saving the other seven fingers for the sequel.
What kinds of books do you like to read?Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.
Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.
! Wha t books/authors have inspired you?Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.
Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.
Did you set out to write fiction for young adults? Why?Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.
Margie: Not so much readers as bosses.
Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.
Margi! e: And by week she means day.
Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.
Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.
A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"
Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.
Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to themâ¦
Did you always plan to start the book with Ethan's story? Why?Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ"-six, between us-â"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.
Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.
Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.
What is on your nightstand now?Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.
Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!
What is your idea of comfort reading?Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.
Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.
Have you written the next book already? What's next for Lena and Ethan?Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.
Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.
Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casserolesâ¦
Kami: Gatlin at it's finest!
Known as The Makeover Guy ® from his appearances on The Oprah Winfrey Show and other national television programs, Christopher Hopkins believes that as they age, women become more beautiful but often feel less attractive. He's out to change that. For more than twenty years he's encouraged women who often feel like they' have taken a backseat to everything and everyone else to come out of the shadows and take center stage. Now it's your turn. Using Christopher's step-by-step strategies and detailed advice,you will learn to:Â
To counter this trend, authors Ed Stetzer and Mike Dodson surveyed 300 churches from across ten different denominations that recently achieved healthy evangelistic growth after a significant season of decline. What they have discovered is an exciting method of congregation reinvigoration that is shared in the new book entitled Comeback Churches.
Endorsements
âAs a successful pastor, church planter, researcher, and advisor to thousands of churches, Ed Stetzer speaks from a wealth of experience with all kinds of churches. Now, in one volume, your church can benefit from his wisdom. This book is a winne! r!â
â"Dr. Rick Warren, author of The Purpose! -Driven Life and The Purpose-Driven ChurchÂ
âFirst and foremost, it is biblical. Second, it is well researched. And third, it is immensely practical and applicable . . . this book should be in the hands of hundreds of thousands of pastors, staff, and church leaders. Simply stated, it is just that good.â â"Thom S. Rainer, author of Simple Church, president/CEO of LifeWay Christian Resources
âFinally, a book of practical advice that is based on research. I have seen it both waysâ" endless research with little advice, or, much advice with little facts. This book strikes the balance with perfection.â â"Elmer Towns, Dean of Liberty University
âThis is the most helpful, practical book on church revitalization Iâve read this century.â â"Leonard Sweet, Drew Theological School, George Fox University
âComeback Churches is more than a pep talk. Itâs rooted in the âright stuf! fâ to bring a congregation out of the dismal into the vital.â â"Jack W. Hayford, President, International Foursquare Churches, Chancellor, The Kingâs College and Seminary
âNo one, to my knowledge, has done the hard research, presented the facts, and offered such sound advice as Ed Stetzer and Mike Dodson⦠Comeback Churches is the number-one book on turning around declining and plateauing church ministry. â"Gary L. McIntosh, D.Min., Ph.D., Biola University
âA refreshing book by authors who know how to make research exciting and instructional. Leaders and members of non-growing evangelical churches should read this book (it wouldn't hurt mainliners either)!â â"Bill Easum, Easum, Bandy & Associates
For more than 40 years, Runnerâs World magazine has been the worldâs leading authority on runningâ"bringing its readers the latest running advice and some of the most compelling sports ! narratives ever told. From inspirational stories such as "A Se! cond Lif e"(the story of Matt Long, the FDNY firefighter who learned to run again after a critical injury) to analytical essays such as "White Men Canât Run" (a look at what puts African runners at the front of the pack), the magazine captivates its readers every month.
Now, for the first time, the editors of Runnerâs World have gathered these and other powerful tales to give readers a collection of writing that is impossible to put down.
With more than 40 gripping stories, Going Long transcends the sport of running to reach anyone with an appetite for drama, inspiration, and a glimpse into the human condition.
The beloved Snark Handbook is back in a new editionâ"making readers smarter and, more importantly, better than everyone else.
Author Lawrence Dorfman claims: âI love it when someone insults me. That means that I donât have to be nice anymore.â In this latest incarnation of his bestselling s! eries, Dorfman is in delicious form, dishing it out without any real consequences. The sharp-witted buyer (and thatâs you, my friend) may be wondering right about now: âHey, how is this book any different from the first? That was full of insults, too.â Yes, but these insults are different (literally), and the authorâs retorts and taunts are so much more vitriolic than in the previous book.
Looking for a quick "escape", Rebecca convinces Hanna to take her along and the two set off to see "the American," a mysterious businessman that owes Hanna's husband money. But when Hanna and Rebecca reach his office, ! they are confronted by Leila, a Palestinian who tells Hanna that "the American" and the money are missing.
Determined not to leave the Free Zone without her husband's debt paid, Hanna forces Leila to join her - with Rebecca tagging along - and the three woman begin their search. Soon the relationship between them turns into an emotional solidarity that will affect each of their lives forever.An ambitious film with both political and emotional agendas, Free Zone stars Natalie Portman as an American woman living in Jerusalem whose quest for adventure and escape leads to serious consequences. Rebecca (Portman), newlyt broken up with her fiancé, has a chance encounter with a cab driver named Hanna (played by Hanna Laslo, who won best actress at the Cannes Film Festival for her work in this film) finds Rebecca accompanying her to the Free Zone--a tax-free area in northeast Jordan--so Hanna can collect money from a businessman who owes her husband. Instead o! f finding the businessman, they encounter a mysterious Palesti! nian wom an who joins them on their journey. It would be too easy to write this film off as a politically tinged Thelma & Louise. As the women argue about Israeli-Palestinian issues, we sense that there is imminent danger. And that suspense ultimately carries more impact than the dialogue, which is well intentioned but often misguided. Portman is gorgeous and does a fine job emoting (and crying), but this is really Laslo's movie. Appropriately passionate and stoic, she adds dignity (and at times humor) to a film that is thought provoking, but flawed. --Jae-Ha KimMulti Region Code Free DVD Samsung creates brilliant images and crystal clear audio out of all proportion to its very low price. You're going to love it. If you need a budget region free DVD player here it is and it is yours. You'll be very pleased with this player it was built by SAMSUNG so it will last.Our machine is Region Code Free, in other words it will play any region DVD 0 1 2 3 4 5 6 7 8 PAL and NTSC on! any TV 100% Guaranteed. This unit has a high quality 64MB built-in video converter that converts PAL signal to NTSC or NTSC to PAL. You can select which type of TV you have and the player will do the rest. No codes to eneter, no fancy procedures the unit is ready from the box, just plug and play
So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casual assurance. There's nothing going on here that's particularly inspired, but Barrymore and Wilson (an! off-screen couple during production) make a delightful pair, ! and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion. --Jeff ShannonGrunge rock. Fast food. And da family. What's not to love? Matt Dillon leads a gifted ensemble in singles (Disc 1/Side A), Cameron Crowe's rock-laced tale of Seattle twentysomethings (including Bridget Fonda and Kyra Sedgwick) searching for and running from romance. Want fries with that? In Home Fries (Disc 1/Side B), Drew Barrymore plays an unwed mother-to-be and Burger-Matic employee who's the focus of attention of two offbeat brothers: one (Luke Wilson) who wants to marry her...one (Jake Busey) who wants to murder her. Next, Hugh Grant walks the wawk and talks the tawk as Mickey Blue Eyes (Disc 2). He becomes Noo Yawk's most unlikely mobster when his romance with a schoolteacher (Jeanne Tripplehorn) entangles him in the workings of her mob family (headed by James Caan).Summer Catch Rock Star Home Fries Addicted to LoveA man is frightened to death by a mena! cing military helicopter, piloted by two young Texan men who just happen to be the dead man's stepsons, Dorian and Angus (Luke Wilson and Jake Busey). To complicate matters, the dead man had had an affair with young Sally (Drew Barrymore), a clerk at the local Burger-Matic who didn't know the guy was married. Now she's pregnant and looking for a supportive guy to be her unborn child's potential father. Dorian fits the role quite nicely, but Angus thinks Sally knows about the helicopter incident, and their scheming mother (Catherine O'Hara) is trying to mastermind a cover-up, and....
So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casua! l assurance. There's nothing going on here that's particularly! inspire d, but Barrymore and Wilson (an off-screen couple during production) make a delightful pair, and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion. --Jeff ShannonBIT OF FRY & LAURIE:COLLECTION EVERY - DVD MovieIf terms like "pimhole" and "lesbotic tendencies" reduce you to a fit of giggles, you've already discovered the daffy pleasures of Fry and Laurie. Stephen Fry and Hugh Laurie have gone on to other successes in film and television (not only did they gain acclaim and adoration as the title characters of Jeeves & Wooster, Laurie has become a household name in the U.S. as the star of House), but their comedy collaborations from the 1980s and '90s have earned them a place in the pantheon of British humor, somewhere between Monty Python and Ricky Gervais. They specialize in "linguistic elasticity," amazing flights of verbal lunacy ranging from overwrought poetry criticism to inventing their own swearwords! to protest censorship. A Bit of Fry & Laurie: The Complete Collection... Every Bit! includes all four Fry & Laurie seasons, broadcast between 1987 and 1995. Conservatism is a regular target--an early sketch about a father protesting his son being taught biology is startlingly current--but politics generally takes a back seat to ridiculousness. Fry impersonates Michael Jackson; a doctor prescribes cigarettes; an exceedingly gracious jewelry salesman woos a customer with candied sweets; Fry and Laurie, with righteous indignation, castigate their audience for laughing at serious matters like alcoholism and genital fungus. The fourth series isn't as inspired, overall, but it does feature sparkling moments, such as a version of It's a Wonderful Life starring Rupert Murdoch. Armed with a startling array of false facial hair (and, as the seasons progress, an increasing amount of drag), Fry and Laurie introduce notions like screaming lettuce, a synchronized lo! sing team, and the Omar Sharif Comedy Hour. It's divine sillin! ess; any fan of British comedy will delight in "Every Bit" of Fry and Laurie. --Bret Fetzer
DVD Features:
Audio Commentary:Commentary with Reny Harlin
Deleted Scenes:Deleted Scenes with commentary by Sylvester Stallone or production audio
Documentary
Other:"Conquering Speed Through Live Action and Visual Effects"
TV Special:"The Making of Driven" (HBO 1st look Special)
Theatrical Trailer:"Game Tr! ailer"
Stallone's a retired Grand Prix champion, called back into action by hi! s disabled crew chief (Burt Reynolds) to boost the career of a hotshot driver (Kip Pardue, the pretty-boy from Remember the Titans) who's trailing a German ace (charismatic Til Schweiger) in the current 20-race season. The female contingent consists of a reporter (Stacy Edwards, too talented for this tripe) who's writing about "male domination in sports"; Stallone's embittered, remarried ex-wife (Gina Gershon, parodying her bitchy persona); and the requisite kewpie doll (Estella Warren) who comes between Boy Wonder and the reigning champ. It's airhead melodrama all the way, so you'd better enjoy the breakneck racing scenes--including a ludicrous prototype-racer joyride through downtown Chicago--or you'll blow a piston on your straightaway sprint to the bad-movie finish line. --Jeff Shannon
Originally produced to showcase "large-format" 3-D (i.e., a towering IMAX screen), Encounter features fun snippets of old films and even a few stereographic still photos. Sadly, none of these fills the screen or lasts very long, and the process reverts to standard 2-D imaging in pause mode. The sound is well above average, enhancing the sense of depth with a seamless DTS surround mix that works well even in headphones. --Michael MikesellATTENTION! This system REQUIRES a CRT TV for 3D viewing. This will NOT work with HDTVs, LCD TVs or Plasma screens. Enjoy 3D on your existing standard technology!Without question, 3-D technology has come a long way since the days of red and green cardboard glasses, and The Ultimate 3-D Collection is ample proof. Incl! uded in the set are three roughly 30-minute animated features! (Ali en Adventure, Encounter in the Third Dimension, and Haunted Castle) and the H3D "i-glasses" hardware you need to enjoy them: a small processing box to insert between your DVD player and your TV, two sets of viewing goggles, and all the cabling you need to put it together. By and large, the sense of real depth conveyed by each feature is astoundingly convincing, especially during the many point-of-view fantasy sequences; crags and dinosaur limbs seem to jut halfway between the screen and your viewing position. Be warned, though, that the discs' image and color resolutions vary from poor (Alien Adventure) to mediocre (Encounter in the Third Dimension) to quite good (Haunted Castle).
Encounter, originally produced to showcase "large-format" 3-D (i.e., a towering IMAX screen), features fun snippets of old films and even a few stereographic still photos. None of these fills the screen or lasts very long, however, an! d the process reverts to standard 2-D imaging in pause mode. While more live-action footage would have been great, Haunted Castle is a real treat. The only disc with an actual story line (a rock & roll reworking of the Faust tale, with credible music to boot), Haunted Castle creates the most convincing sense of depth through real-life elements like trees and torches. The sound on all discs is excellent, enhancing the sense of depth with seamless DTS surround mixes that work well even in headphones. This is an impressive set, and with 3-D technology this good, there's a strong chance the included goggles and processor will see more 3-D action going forward. --Michael MikesellExperience the amazing 3D effects of Encounter in the Third Dimension 3D originally shown in the IMAX! This is the ONLY full frame, full color 3D DVD release. Join the Professor, Max and Elvira in an adventure like no other- a journey into the 3rd dimension! Please n! ote, this DVD requires a Sensio Processor or a computer with c! ompatibl e software (stereoscopic player or Tridef Media player are recommended) This DVD has been tested with some 3D Blu ray players with some success. However, on some TVs, the images appears stretched (the 3D effect is perfectly in tact however) Please note that this DVD is NOT guaranteed to work with every 3D blu ray player and was not intended to be viewed with this method. It is recommended to view this DVD using stereoscopic player or Tridef Media software.
The kicker is, he was actually a teenage high school dropout. Now an authority on counterfeiting and secure documents, Abagnale tells of his years of i! mpersonations, swindles, and felonies with humor and the kind of confidence that enabled him to pull off his poseur performances. "Modesty is not one of my virtues. At the time, virtue was not one of my virtues," he writes. In fact, he did it all for his overactive libido--he needed money and status to woo the girls. He also loved a challenge and the ego boost that came with playing important men. What's not disclosed in this highly engaging tale is that Abagnale was released from prison after five years on the condition that he help the government write fraud-prevention programs. So, if you're planning to pick up some tips from this highly detailed manifesto on paperhanging, be warned: this master has already foiled you. --Lesley Reed